Pauline, 18.

Pheidippides, 310.

Pictor Ignotus, 245.

Pied Piper of Hamelin, The; a Child’s Story, 302.

Pietro of Abano, 318.

Pippa Passes, 55.

Pisgah-Sights, I., 218.

Pisgah-Sights, II., 218.

Popularity, 212.

Porphyria’s Lover, 231.

Pretty Woman, A, 293.

Prince Hohenstiel-Schwangau, Saviour of Society, 161.

Prologue to “Dramatic Idyls,” 2nd series, 315.

Prologue to “Pacchiarotto and other Poems,” 222.

Prologue to “La Saisiaz” (Pisgah-Sights, III.), 299.

Prospice, 221.

Protus, 306.

Rabbi Ben Ezra, 203.

Red Cotton Night-Cap Country; or, Turf and Towers, 255.

Respectability, 216.

Return of the Druses, The, 60.

Ring and the Book, The, 75.

Rudel to the Lady of Tripoli, 230.

Saul, 238.

Serenade at the Villa, A, 229.

Shop, 216.

Sibrandus Schafnaburgens’s (Garden Fancies, II.), 284.

Soliloquy of the Spanish Cloister, 251.

Solomon and Balkis, 323.

Song, 300.

Sordello, 28.

Soul’s Tragedy, A, 68.

Statue and the Bust, The, 205.

St. Martin’s Summer, 299.

Strafford, 53.

Through the Metidja to Abd-el-Kadr, 304.

Time’s Revenges, 305.

Toccata of Galuppi’s, A, 247.

Too Late, 236.

“Transcendentalism:  a Poem in Twelve Books,” 212.

Transcripts from the Greek, 118.

Tray, 313.

Twins, The, 302.

Two in the Campagna, 228.

Two Poets of Croisic, The, 266.

Up at a Villa—­Down in the City, 283.

Wanting is—­what? 322.

Waring, 307.

Woman’s Last Word, A, 229.

Women and Roses, 294.

Worst of it, The, 236.

Year, In a, 294.

Youth and Art, 298.