with thankfulness the chance of redeeming his soul
by a signal service rendered to the cause of Truth.
The process of engraving on gold, furtively witnessed
in a Tuscan workshop, has suggested to him the manufacture
of metallic types, and he has been for years secluded
with the conception of his printing-press, and glowing
visions of that winged word which should one day fly
forth at his command. Complacent ignorance and
stupidity have buzzed freely about him as he sat unaided
and alone in what Mr. Browning poetically depicts
as the prolonged travail of a portentous mental birth;
and, as we are led to imagine, much well-meant remonstrance
and advice rebounded from his closed door. But
at the moment in question the door is open, for the
work of Fust is complete. Seven “Friends”
present themselves prepared to lecture him for his
good and for that of their city (Mayence) which is
endangered by his compact with the Devil; and the
ensuing intensely humorous colloquy supplies him with
the fitting occasion for distributing specimens of
his new art and displaying the mechanism through which
its apparent magic is achieved. He then pours
forth his soul in an impassioned utterance, half soliloquy,
half prayer, in which gratitude for his own redemption
tempers the sense of triumph in the world-wide intellectual
deliverance he has been privileged to effect, and
becomes a tribute of adoration to that Absolute of
Creative Knowledge, the law of which he has obeyed;
which stirs in the unconsciousness of the ore and
plant, and impels man to Its realization step by step
in the ever-receding, ever-present vision of his own
ignorance.
He owns, however, when the talk is resumed, that his
happiness is not free from cloud: since the wings
which he has given to truth will also aid the diffusion
of falsehood; and the note of humour returns to the
situation when this contingency asserts itself in the
mind of some of the “friends.” These
worthies have passed through the descending scale
of feeling proper to such persons on such an occasion.
They have received Fust’s invention as diabolical—as
wonderful—as very simple after all; and
now the fact stares them in the face that, printing
being so simple, the Hussite may publish his heresies
as well as the Churchman his truth, and the old sure
remedy of burning him and his talk together will no
longer avail. One of the two Divines on whom this
impresses itself had indeed “been struck by
it from the first.”
The poem concludes with a joke on the name of Huss,
which (I am told) is the Bohemian equivalent for “goose,”
and his reported prophecy of the advent and the triumph
of Luther: which prophecy Fust re-echoes.[140]
FOOTNOTES:
[Footnote 121: We must remark that these arguments
are not directed against Atheism and its naturalistic
philosophy, which supplies, in Mr. Browning’s
judgment, a consistent, if erroneous, solution of the
problem. They only attack the position of those
who would retain the belief in a personal God, and
yet divest Him of every quality which makes such a
Being thinkable.]