A Daughter of To-Day eBook

This eBook from the Gutenberg Project consists of approximately 316 pages of information about A Daughter of To-Day.

A Daughter of To-Day eBook

This eBook from the Gutenberg Project consists of approximately 316 pages of information about A Daughter of To-Day.

She came in with a shy hesitation that became her very well, and as she approached, their old understanding immediately arranged itself between them.  “I should be perfectly justified in sulking,” he declared gaily, disencumbering a chair of a battered tin box of empty twisted tubes for her, “and asking you to what I might attribute the honor of this visit.”  He put up his eye-glass and stared through it with an absurd affectation of dignified astonishment.  “But I’ll magnanimously admit that I’m delighted to see you.  I’ll even lay aside my wounded sensibilities enough to ask you where you’ve been.”

“I!” faltered Elfrida softly, with her wide-eyed smile.  “Oh! as if that were of any consequence!” She stepped back a pace or two to look at an unpacked canvas, and her expression changed.  “Ah!” she said gravely, “how good it is to see that!  I wish I could remember by myself so much, half so much, of the sunlight of that country.  In three days of these fogs I had forgotten it.  I mean the reality of it Only a pale theory staid with me.  Now it comes back.”

“Then you have been in London?” he probed, while she looked wistfully at the fringe of a wood in Brittany that stood upon his canvas.  Her eyes left the picture and wandered around the room.

“I!” she said again.  “In London?  Yes, I have been in London.  How splendidly different you are!” she said, looking straight at him as if she stated a falling of the thermometer or a quotation from the Stock Exchange.  “But are you sure, perfectly sure,” she went on, with dainty emphasis, “that you can stay different?  Aren’t you the least bit afraid that in the end your work may become—­pardon me—­commercial, like the rest?  Is there no danger?”

“I wish you would sit down,” Kendal said ruefully.  “I shouldn’t feel it so much, perhaps, if you sat down.  And pending my acknowledgment of a Londoner’s sin in painting in London, it seems to me that you have put yourself under pretty much the same condemnation.”

“I have not come to paint,” Elfrida answered quickly.  “I have put away the insanity of thinking I ever could.  I told you that, I think, in a letter.  But there are—­other things.  You may remember that you thought there were.”

She spoke with so much repressed feeling that Kendal reproached himself with not having thought carefully enough about it to take her at her letter’s word.  He took up the card that announced her, and looked again at the lower left-hand corner.  “I do remember, but I don’t understand.  Is this one of them?” he asked.

Something, something absolutely unintentional and of the slightest quality, in his voice operated to lower her estimate of the announcement on the card, and she flushed a little.

“It’s—­it’s a way,” she said.  “But it was stupid —­bourgeois—­of me to send up a card—­such a card.  With most of these people it is necessary; with you, of course, it was hideous!  Give it to me, please,” and she proceeded to tear it slowly into little bits.  “You must pardon me,” she went on, “but I thought, you know—­we are not in Paris now—­and there might be people here.  And then, after all, it explains me.”

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A Daughter of To-Day from Project Gutenberg. Public domain.