In spite of the truth of history, the whole night-scene in Macbeth’s castle rushed at once upon my mind, and struck my imagination more forcibly than even when I have seen its terrors represented by the late John Kemble and his inimitable sister. In a word, I experienced sensations which, though not remarkable either for timidity or superstition, did not fail to affect me to the point of being disagreeable, while they were mingled at the same time with a strange and indescribable kind of pleasure, the recollection of which affords me gratification at this moment.
In the year 1814 accident placed me, then past middle life, in a situation somewhat similar to that which I have described.
I had been on a pleasure voyage with some friends around the north coast of Scotland, and in that course had arrived in the salt-water lake under the castle of Dunvegan, whose turrets, situated upon a frowning rock, rise immediately above the waves of the loch. As most of the party, and I myself in particular, chanced to be well known to the Laird of Macleod, we were welcomed to the castle with Highland hospitality, and glad to find ourselves in polished society, after a cruise of some duration. The most modern part of the castle was founded in the days of James VI.; the more ancient is referred to a period “whose birth tradition notes not.” Until the present Macleod connected by a drawbridge the site of the castle with the mainland of Skye, the access must have been extremely difficult. Indeed, so much greater was the regard paid to security than to convenience, that in former times the only access to the mansion arose through a vaulted cavern in a rock, up which a staircase ascended from the sea-shore, like the buildings we read of in the romances of Mrs. Radcliffe.