The whole matter was, after the Restoration, discovered to be the trick of one of their own party, who had attended the Commissioners as a clerk, under the name of Giles Sharp. This man, whose real name was Joseph Collins of Oxford, called Funny Joe, was a concealed loyalist, and well acquainted with the old mansion of Woodstock, where he had been brought up before the Civil War. Being a bold, active spirited man, Joe availed himself of his local knowledge of trap-doors and private passages so as to favour the tricks which he played off upon his masters by aid of his fellow-domestics. The Commissioners’ personal reliance on him made his task the more easy, and it was all along remarked that trusty Giles Sharp saw the most extraordinary sights and visions among the whole party. The unearthly terrors experienced by the Commissioners are detailed with due gravity by Sinclair, and also, I think, by Dr. Plott. But although the detection or explanation of the real history of the Woodstock demons has also been published, and I have myself seen it, I have at this time forgotten whether it exists in a separate collection, or where it is to be looked for.
Similar disturbances have been often experienced while it was the custom to believe in and dread such frolics of the invisible world, and under circumstances which induce us to wonder, both at the extreme trouble taken by the agents in these impostures, and the slight motives from which they have been induced to do much wanton mischief. Still greater is our modern surprise at the apparently simple means by which terror has been excited to so general an extent, that even the wisest and most prudent have not escaped its contagious influence.
On the first point I am afraid there can be no better reason assigned than the conscious pride of superiority, which induces the human being in all cases to enjoy and practise every means of employing an influence over his fellow-mortals; to which we may safely add that general love of tormenting, as common to our race as to that noble mimick of humanity, the monkey. To this is owing the delight with which every school-boy anticipates the effects of throwing a stone into a glass shop; and to this we must also ascribe the otherwise unaccountable pleasure which individuals have taken in practising the tricksy pranks of a goblin, and filling a household or neighbourhood with anxiety and dismay, with little gratification to themselves besides the consciousness of dexterity if they remain undiscovered, and with the risk of loss of character and punishment should the imposture be found out.