Fian, or Cunninghame, was also visited by the sharpest tortures, ordinary and extraordinary. The nails were torn from his fingers with smith’s pincers; pins were driven into the places which the nails usually defended; his knees were crushed in the boots, his finger bones were splintered in the pilniewinks. At length his constancy, hitherto sustained, as the bystanders supposed, by the help of the devil, was fairly overcome, and he gave an account of a great witch-meeting at North Berwick, where they paced round the church withershinns, that is, in reverse of the motion of the sun. Fian then blew into the lock of the church-door, whereupon the bolts gave way, the unhallowed crew entered, and their master the devil appeared to his servants in the shape of a black man occupying the pulpit. He was saluted with an “Hail, Master!” but the company were dissatisfied with his not having brought a picture of the king, repeatedly promised, which was to place his majesty at the mercy of this infernal crew. The devil was particularly upbraided on this subject by divers respectable-looking females—no question, Euphane MacCalzean, Barbara Napier, Agnes Sampson, and some other amateur witch above those of the ordinary profession. The devil on this memorable occasion forgot himself, and called Fian by his own name, instead of the demoniacal sobriquet of Rob the Rowar, which had been assigned to him as Master of the Rows or Rolls. This was considered as bad taste, and the rule is still observed at every rendezvous of forgers, smugglers, or the like, where it is accounted very indifferent manners to name an individual by his own name, in case of affording ground of evidence which may upon a day of trial be brought against him. Satan, something disconcerted, concluded the evening with a divertisement and a dance after his own manner. The former consisted in disinterring a new-buried corpse, and dividing it in fragments among the company, and the ball was maintained by well-nigh two hundred persons, who danced a ring dance, singing this chant—
“Cummer, gang ye before; Cummer gang ye.
Gif ye will not gang before, Cummers, let me.”
After this choral exhibition, the music seems to have been rather imperfect, the number of dancers considered. Geillis Duncan was the only instrumental performer, and she played on a Jew’s harp, called in Scotland a trump. Dr. Fian, muffled, led the ring, and was highly honoured, generally acting as clerk or recorder, as above mentioned.
King James was deeply interested in those mysterious meetings, and took great delight to be present at the examinations of the accused. He sent for Geillis Duncan, and caused her to play before him the same tune to which Satan and his companions led the brawl in North Berwick churchyard.[77] His ears were gratified in another way, for at this meeting it was said the witches demanded of the devil why he did bear such enmity against the king? who returned the flattering answer that the king was the greatest enemy whom he had in the world.