“Then to hear these poetasters censure and tear one another to pieces!  And what shall I say of the thefts committed by these cubs and whelps of modern pretence on the grave and ancient masters of the art, or of their malevolent carpings at those excellent persons of their own day in whom shines the true light of poetry; who, making a solace and recreation of their arduous labours, prove the divinity of their genius and the elevation of their thoughts to the despite and vexation of these ignorant pretenders, who presume to judge that of which they know nothing, and abhor the beauties which they are not able to comprehend?  What will you have me esteem in the nullity which seeks to find place for itself under the canopy spread for others—­in the ignorance which is ever leaning for support on another man’s chair?”

Rodaja was once asked how it happened that poets are always poor; to which he replied, “That if they were poor, it was because they chose to be so, since it was always in their power to be rich if they would only take advantage of the opportunities in their hands.  For see how rich are their ladies,” he added; “have they not all a very profusion of wealth in their possession?  Is not their hair of gold, their brows of burnished silver, their eyes of the most precious jewels, their lips of coral, their throats of ivory and transparent crystal?  Are not their tears liquid pearls, and where they plant the soles of their feet do not jasmine and roses spring up at the moment, however rebellious and sterile the earth may previously have been?  Then what is their breath but pure amber, musk, and frankincense?  Yet to whom do all these things belong, if not to the poets?  They are, therefore, manifest signs and proofs of their great riches.”

In this manner he always spoke of bad poets; as to the good ones, he was loud in their praise, and exalted them above the horns of the moon.

Being at San Francisco, he one day saw some very indifferent pictures, by an incapable hand; whereupon he remarked that the good painters imitate nature, while the bad ones have the impertinence to daub her face.

Having planted himself one day in front of a bookseller’s shop with great care, to avoid being broken, he began to talk to the owner, and said, “This trade would please me greatly, were it not for one fault that it has.”  The bookseller inquiring what that might be, Rodaja replied, “It is the tricks you play on the writers when you purchase the copyright of a book, and the sport you make of the author if, perchance, he desire to print at his own cost.  For what is your method of proceeding?  Instead of the one thousand five hundred copies which you agree to print for him, you print three thousand; and when the author supposes that you are selling his books, you are but disposing of your own.”

One of those men who carry sedan-chairs, once standing by while Rodaja was enumerating the faults committed by various trades and occupations, remarked to the latter, “Of us, Senor Doctor, you can find nothing amiss to say.”  “Nothing,” replied Rodaja, “except that you are made acquainted with more sins than are known to the confessor; but with this difference, that the confessor learns them to keep all secret, but you to make them the public talk of the taverns.”