The language used in this story was very quaint, and was probably the best tale related about Isabella, the Countess of Devon; but old “Isaacke,” the ancient writer, in his history remarks that it “will hardly persuade credit.”
We could not learn what became of William her husband; but Isabella seemed to have been an extremely strong-minded, determined woman, and rather spiteful, for it was she who blocked the river so that the people of Exeter, who had offended her, could have neither “fishing nor shipping” below the weir. On one occasion, when four important parishes had a dispute about their boundaries, she summoned all their principal men to meet her on the top of a swampy hill, and throwing her ring into the bog told them that where it lay was where the parishes met; the place is known to this day as “Ring-in-the-Mire.”
We passed by Powderham Castle, and saw some magnificent trees in the park, and on a wooded hill the Belvedere, erected in 1773. This was a triangular tower 60 feet high, with a hexagonal turret at each corner for sight-seeing, and from it a beautiful view over land and sea could be obtained.
With regard to the churches in this part of England, we learned that while Somerset was noted for towers and Cornwall for crosses, the churches in Devonshire were noted for screens, and nearly every church we visited had a screen or traces where one had existed, some of them being very beautiful, especially that in Kenton church, which we now went to inspect. Farther north the images and paintings on the screens, and even the woodwork, had been badly disfigured, but some of the old work in Devon had been well preserved. The screens had been intended to protect the chancel of the church from the nave, to teach people that on entering the chancel they were entering the most sacred part of the church, and images and paintings were placed along the screens. The same idea, but in another direction, was carried out on the outside of the churches; for there also the people, scarcely any of whom in those days could read or write, were taught, by means of images and horrible-looking gargoyles worked in stone placed on the outside of the church and steeple, that everything vile and wicked was in the world outside the church. The beautiful pictures and images inside the church were intended to show that everything pure and holy was to be found within: the image of the patron saint being generally placed over the doorway.