There were some whose fine regularity of feature might have served as the model for a Greek sculptor.  Yet those were not the faces on which the eye rested with the long and deep delight that “drinks in beauty.”  I saw some worthy or the sublime spell of Vandyke, more with the magnificence of style which Reynolds loved, and still more with the subdued dignity and touching elegance of which Lawrence was so charming a master.

On my return to French society in after years, I was absolutely astonished at the change which seemed to me to have taken place in the beauty of high life.  I shall not hazard my reputation for gallantry, by tracing the contrast more closely.  But evil times had singularly acted upon the physiognomy even of the nobles.  The age of the roturier had been the climacteric of France.  Generals from the ranks, countesses from the canaille, legislators from the dregs of the populace, and proprietors from the mingled stock of the parasite and the plunderer, naturally gave the countenance, formed by their habits, to the nation formed by their example.

Still there were, and are, examples of this original beauty to be found among the elite of the noble families; but they are rare, and to be looked on as one looks on a statue of Praxiteles found in the darkness and wrecks of Herculaneum.  In the words of the old song, slightly changed—­

    “I roam’d through France’s sanguine sand,
      At beauty’s altar to adore,
    But there the sword had spoil’d the land,
      And Beauty’s daughters were no more.”

* * * * *

ENGLISH MUSIC AND ENGLISH MUSICIANS.

Musical taste, as we observed in a former article, has undergone fewer mutations in England, than in most other countries where the art has been cultivated and esteemed.  In order, therefore, to acquire an accurate knowledge of the state of musical taste and science which now prevails among us, it will be necessary to take a brief retrospect; and as much of the music still popular was composed during the earliest period of the art in England, we shall rapidly trace its history from the times of those early masters, whose names are still held in remembrance and repute, down to the present century.

When England threw off the Papal yoke, music was little known beyond the services of the church.  Though the secular music of this period was barbarous in the extreme, yet masses were universally sung, and music had long formed a necessary element in the due performance of the services of the Romish church.  During the reign of Henry VIII. few alterations were made in public worship; and the service continued to be sung and carried on in the Latin language, as before.  From Strype’s account of the funeral of this monarch, it appears that all the old ceremonies were observed, and that the rupture with Rome had caused no alteration in the obsequies performed on such occasions.