Great and varied as were the powers of Sir Robert Peel as a public speaker, he was not an orator in the strictest and highest sense of that word. True oratory is the offspring of genius, and he, gifted though he was, had not the sacred fire of genius in his soul. In the style which he adopted, and which was probably the best suited to his natural powers, he was all but perfect: lucid, argumentation, frank, at least in seeming, bland, persuasive; always singularly respectful not only to the House, but to the humblest member of it; his speeches partook more of the lecture and less of oratorical display than those of most other public men with anything like his reputation; but they were admirably suited to an educated and deliberative assembly like the House of Commons—and hence he influenced—almost ruled it, as no other man did before or since. Knowing this, he never felt so happy or so much at home as in that scene of his labours and his triumphs. His gesture was inferior: he used it but seldom, and when he did it added neither to the grace nor effectiveness of his delivery. He sometimes appeared to be at a loss to know what to do with his arms: at one time he would thrust his thumbs into the armholes of his vest; at another he would let his arms fall into a sort of swinging motion at his sides, where he allowed, rather than used them, to toss back his coatskirts in a confused, undignified manner.
He never spoke on important questions without careful preparation, as was always evident from the facts and arguments of which his speeches chiefly consisted, as well as from their careful arrangement. His voice was fine, and he had the skill, rare enough in public speakers, of modulating it with excellent effect.