planning, discussing, drinking, smoking, living on bread and cheese or whatever happened to be within reach, and sleeping whenever he happened to feel in the humor for it.  Rule or method he had none, and his friends had for years given up the attempt to control him.  They took it for granted that he would soon kill himself with his ill-regulated existence.  Hazard thought that his lungs would give way, and Strong insisted that his brain was the weak spot, and no one ventured to hope that he would long hold out, but he lived on in defiance of them.

“Good evening, Wharton,” said the clergyman.  “I have been trying to find out from Strong what the heathen think of me.  Tell us now the art view of the case.  How are you satisfied?”

“Tell me what you were sketching in church,” said Strong.  “Was it not the new martyrdom of St. Stephen?”

“No,” answered Wharton quietly.  “It was my own.  I found I could not look up; I knew how bad my own work was, and I could not stand seeing it; so I drew my own martyrdom rather than make a scandal by leaving the church.”

“Did you hear my sermon?” asked the clergyman.

“I don’t remember,” answered Wharton vaguely; “what was it about?”

Strong and Hazard broke into a laugh which roused him to the energy of self-defense.

“I never could listen,” he said.  “It is a slow and stupid faculty.  An artist’s business is only to see, and to-day I could see nothing but my own things which are all bad.  The whole church is bad.  It is not altogether worth a bit of Japanese enamel that I have brought round here this evening to show Strong.”

He searched first in one pocket, then in another, until he found what he wanted in the pocket of his overcoat, and a warm discussion at once began between him and Strong, who declared that he had a better piece.

“Mine was given me by a Daimio, in Kiusiu,” said Strong.  “It is the best old bit you ever saw.  Come round to my rooms a week from to-morrow at five o’clock in the afternoon, and I will show you all my new japs.  The Dudleys are coming to see them, and my aunt Mrs. Murray, and Hazard has promised to come.”

“I saw you had Miss Dudley with you at church this morning,” said Wharton, still absorbed in study of his enamel, and quite unconscious of his host’s evident restlessness.

“Ah! then you could see Miss Dudley!” cried the clergyman, who could not forgive the abrupt dismissal of his own affairs by the two men, and was eager to bring the talk back to his church.

“I can always see Miss Dudley,” said Wharton quietly.

“Why?” asked Hazard.

“She is interesting,” replied the painter.  “She has a style of her own, and I never can quite make up my mind whether to like it or not.”

“It is the first time I ever knew you to hesitate before a style,” said Hazard.

“I hesitate before every thing American,” replied Wharton, beginning to show a shade of interest in what he was talking of.  “I don’t know—­you don’t know—­and I never yet met any man who could tell me, whether American types are going to supplant the old ones, or whether they are to come to nothing for want of ideas.  Miss Dudley is one of the most marked American types I ever saw.”