[Footnote 1: Limbo, any place of misery
and restraint.
“For he no sooner was at large,
But Trulla straight brought on the charge,
And in the selfsame Limbo put
The knight and squire where he was shut.”
Hudibras,
Part i, canto iii, 1,000.
Here abbreviated by Swift as a cant term for a pawn
shop.—W. E. B.]
THE PUPPET-SHOW
The life of man to represent,
And turn it all to ridicule,
Wit did a puppet-show invent,
Where the chief actor is a fool.
The gods of old were logs of wood,
And worship was to puppets paid;
In antic dress the idol stood,
And priest and people bow’d the
head.
No wonder then, if art began
The simple votaries to frame,
To shape in timber foolish man,
And consecrate the block to fame.
From hence poetic fancy learn’d
That trees might rise from human forms;
The body to a trunk be turn’d,
And branches issue from the arms.
Thus Daedalus and Ovid too,
That man’s a blockhead, have confest:
Powel and Stretch[1] the hint pursue;
Life is a farce, the world a jest.
The same great truth South Sea has proved
On that famed theatre, the alley;
Where thousands, by directors moved
Are now sad monuments of folly.
What Momus was of old to Jove,
The same a Harlequin is now;
The former was buffoon above,
The latter is a Punch below.
This fleeting scene is but a stage,
Where various images appear;
In different parts of youth and age,
Alike the prince and peasant share.
Some draw our eyes by being great,
False pomp conceals mere wood within;
And legislators ranged in state
Are oft but wisdom in machine.
A stock may chance to wear a crown,
And timber as a lord take place;
A statue may put on a frown,
And cheat us with a thinking face.
Others are blindly led away,
And made to act for ends unknown;
By the mere spring of wires they play,
And speak in language not their own.
Too oft, alas! a scolding wife
Usurps a jolly fellow’s throne;
And many drink the cup of life,
Mix’d and embitter’d by a
Joan.
In short, whatever men pursue,
Of pleasure, folly, war, or love:
This mimic race brings all to view:
Alike they dress, they talk, they move.
Go on, great Stretch, with artful hand,
Mortals to please and to deride;
And, when death breaks thy vital band,
Thou shalt put on a puppet’s pride.
Thou shalt in puny wood be shown,
Thy image shall preserve thy fame;
Ages to come thy worth shall own,
Point at thy limbs, and tell thy name.
Tell Tom,[2] he draws a farce in vain,
Before he looks in nature’s glass;
Puns cannot form a witty scene,
Nor pedantry for humour pass.