For the last few days whenever Wilfrid entered Seraphita’s presence his body seemed to fall away from him into nothingness. With a single glance this strange being led him in spirit through the spheres where meditation leads the learned man, prayer the pious heart, where vision transports the artist, and sleep the souls of men,—each and all have their own path to the Height, their own guide to reach it, their own individual sufferings in the dire return. In that sphere alone all veils are rent away, and the revelation, the awful flaming certainty of an unknown world, of which the soul brings back mere fragments to this lower sphere, stands revealed. To Wilfrid one hour passed with Seraphita was like the sought-for dreams of Theriakis, in which each knot of nerves becomes the centre of a radiating delight. But he left her bruised and wearied as some young girl endeavoring to keep step with a giant.
The cold air, with its stinging flagellations, had begun to still the nervous tremors which followed the reunion of his two natures, so powerfully disunited for a time; he was drawn towards the parsonage, then towards Minna, by the sight of the every-day home life for which he thirsted as the wandering European thirsts for his native land when nostalgia seizes him amid the fairy scenes of Orient that have seduced his senses. More weary than he had ever yet been, Wilfrid dropped into a chair and looked about him for a time, like a man who awakens from sleep. Monsieur Becker and his daughter accustomed, perhaps, to the apparent eccentricity of their guest, continued the employments in which they were engaged.
The parlor was ornamented with a collection of the shells and insects of Norway. These curiosities, admirably arranged on a background of the yellow pine which panelled the room, formed, as it were, a rich tapestry to which the fumes of tobacco had imparted a mellow tone. At the further end of the room, opposite to the door, was an immense wrought-iron stove, carefully polished by the serving-woman till it shone like burnished steel. Seated in a large tapestried armchair near the stove, before a table, with his feet in a species of muff, Monsieur Becker was reading a folio volume which was propped against a pile of other books as on a desk. At his left stood a jug of beer and a glass, at his right burned a smoky lamp fed by some species of fish-oil. The pastor seemed about sixty years of age. His face belonged to a type often painted by Rembrandt; the same small bright eyes, set in wrinkles and surmounted by thick gray eyebrows; the same white hair escaping in snowy flakes from a black velvet cap; the same broad, bald brow, and a contour of face which the ample chin made almost square; and lastly, the same calm tranquillity, which, to an observer, denoted the possession of some inward power, be it the supremacy bestowed by money, or the magisterial influence of the burgomaster, or the consciousness of art, or the cubic force of blissful