One of the duties of the gentlemen is to see that the curtains at the back of the box remain tightly closed, as the light from the ante-room shining in the faces of others in the audience across the house is very disagreeable to them.
A gentleman never sits in the front row of a box, even though he is for a time alone in it.
=AS TO VISITING=
It is the custom for a gentleman who is a guest in one box to pay visits to friends in other boxes during the entr’actes. He must visit none but ladies of his acquaintance and must never enter a box in which he knows only the gentlemen, and expect to be introduced to the ladies. If Arthur Norman, for instance, wishes to present a gentleman to Mrs. Gilding in her box at the opera, he must first ask her if he may bring his friend James Dawson. (He would on no account speak of him as Mr. Dawson unless he is an elderly person.) A lady’s box at the opera is actually her house, and only those who are acceptable as visitors in her house should ask to be admitted.
But it is quite correct for a gentleman to go into a stranger’s box to speak to a lady who is a friend of his, just as he would go to see her if she were staying in a stranger’s house. But he should not go into the box of one he does not know, to speak to a lady with whom he has only a slight acquaintance, since visits are not paid quite so casually to ladies who are themselves visitors. Upon a gentleman’s entering a box it is obligatory for whoever is sitting behind the lady to whom the arriving gentleman’s visit is addressed, to relinquish his chair. Another point of etiquette is that a gentleman must never leave the ladies of his own box alone. Occasionally it happens that the gentlemen in Mrs. Gilding’s box, for instance, have all relinquished their places to visitors and have themselves gone to Mrs. Worldly’s or Mrs. Jones’ or Mrs. Town’s boxes. Mrs. Gilding’s guests must, from the vantage point of the Worldly, Jones or Town boxes, keep a watchful eye on their hostess and instantly return to her support when they see her visitors about to leave, even though the ladies whom they are momentarily visiting be left to themselves. It is of course the duty of the other gentlemen who came to the opera with Mrs. Worldly, Mrs. Jones or Mrs. Town to hurry to them.
A gentleman must never stay in any box that he does not belong in, after the lowering of the lights for the curtain. Nor, in spite of cartoons to the contrary, does good taste permit conversation during the performance or during the overture. Box holders arriving late or leaving before the final curtain do so as quietly as possible and always without speaking.
=A “BRILLIANT OPERA NIGHT"=
A “brilliant opera night,” which one often hears spoken of (meaning merely that all the boxes are occupied, and that the ladies are more elaborately dressed than usual) is generally a night when a leader of fashion such as Mrs. Worldly, Mrs. Gilding, or Mrs. Toplofty, is giving a ball; and most of the holders of the parterre boxes are in ball dresses, with an unusual display of jewels. Or a house will be particularly “brilliant” if a very great singer is appearing in a new role, or if a personage be present, as when Marshal Joffre went to the Metropolitan.