If there is a guest of honor, the hostess leads the way to the dining-room, walking beside her.  Otherwise, the guests go in twos or threes, or even singly, just as they happen to come, except that the very young make way for their elders, and gentlemen stroll in with those they happen to be talking to, or, if alone, fill in the rear.  The gentlemen never offer their arms to ladies in going in to a luncheon—­unless there should be an elderly guest of honor, who might be taken in by the host, as at a dinner.  But the others follow informally.

=THE TABLE=

Candles have no place on a lunch or breakfast table; and are used only where a dining-room is unfortunately without daylight.  Also a plain damask tablecloth (which must always be put on top of a thick table felt) is correct for dinner but not for luncheon.  The traditional lunch table is “bare”—­which does not mean actually bare at all, but that it has a centerpiece, either round or rectangular or square, with place mats to match, made in literally unrestricted varieties of linen, needlework and lace.  The centerpiece is anywhere from 30 inches to a yard and a half square, on a square or round table, and from half a yard to a yard wide by length in proportion to the length of a rectangular table.  The place mats are round or square or rectangular to match, and are put at the places.

Or if the table is a refectory one, instead of centerpiece and doilies, the table is set with a runner not reaching to the edge at the side, but falling over both ends.  Or there may be a tablecloth made to fit the top of the table to within an inch or two of its edge.  Occasionally there is a real cloth that hangs over like a dinner cloth, but it always has lace or open-work and is made of fine linen so that the table shows through.

The decorations of the table are practically the same as for dinner:  flowers, or a silver ornament or epergne in the center, and flower dishes or compotiers or patens filled with ornamental fruit or candy at the corners.  If the table is very large and rather bare without candles, four vases or silver bowls of flowers, or ornamental figures are added.

If the center ornament is of porcelain, four porcelain figures to match have at least a logical reason for their presence, or a bisque “garden” set of vases and balustrades, with small flowers and vines put in the vases to look as though they were growing, follows out the decoration.  Most people, however, like a sparsely ornamented table.

The places are set as for dinner, with a place plate, three forks, two knives and a small spoon.  The lunch napkin, which should match the table linen, is much smaller than the dinner napkin, and is not folded quite the same:  it is folded like a handkerchief, in only four folds (four thicknesses).  The square is laid on the place plate diagonally, with the monogrammed (or embroidered) corner pointing down toward the edge of the table.  The upper corner is then turned sharply under in a flat crease for about a quarter of its diagonal length; then the two sides are rolled loosely under, making a sort of pillow effect laid sideways; with a straight top edge and a pointed lower edge, and the monogram displayed in the center.