Modern Rome appeared, first and last, hideous. It is the least interesting town in Italy, and the architecture is hopelessly ugly—especially the architecture of the churches. The Papal city contrives at the beginning to hide the Imperial city from your thought, as it hides it in such a great degree from your eye, and old Rome only occurs to you in a sort of stupid wonder over the depth at which it is buried. I confess that I was glad to get altogether away from it after a first look at the ruins in the Forum, and to take refuge in the Conservatorio delle Mendicanti, where we were charged to see the little Virginia G. The Conservatorio, though a charitable institution, is not so entirely meant for mendicants as its name would imply, but none of the many young girls there were the children of rich men. They were often enough of parentage actually hungry and ragged, but they were often also the daughters of honest poor folk, who paid a certain sum toward their maintenance and education in the Conservatorio. Such was the case with little Virginia, whose father was at Florence, doubly impeded from seeing her by the fact that he had fought against the Pope for the Republic of 1848, and by the other fact that he had since wrought the Pope a yet deadlier injury by turning Protestant.
Ringing a garrulous bell that continued to jingle some time after we were admitted, we found ourselves in a sort of reception-room, of the general quality of a cellar, and in the presence of a portress who was perceptibly preserved from mold only by the great pot of coals that stood in the centre of the place. Some young girls, rather pretty than not, attended the ancient woman, and kindly acted as the ear-trumpet through which our wishes were conveyed to her mind. The Conservatorio was not, so far, as conventual as we had imagined it; but as the gentleman of the party was strongly guarded by female friends, and asked at once to see the Superior, he concluded that there was, perhaps, something so unusually reassuring to