Mary Tudor, 207.

“Massacre at Paris” (Marlowe), 7, 10.

Massinger, 30, 87, 90, 194, 237.

“Match at Midnight, A” (Rowley), 192.

“Match Me in London” (Dekker), 84.

“Mayor of Queenborough, The,” 167.

“Medea,” the, 37.

Meltun Society, 157 note.

“Menaechmi, The,” 217.

“Michaelmas Term” (Middleton), 158.

“Microcynicon,” 179.

Middleton, Thomas (150-187),
  place as tragic poet, 30;
  associated with Dekker, 75-77, 87;
  poet of city, 85;
  comic style, 158;
  associated with Rowley and Dekker, 161;
  “The Widow,” 165;
  allegory compared with Dekker’s, 168;
  obligations to Shakespeare, 172;
  compared with Chaucer, 177;
  a second poet by same name (?), 180;
  collaboration with Rowley, 182;
  comedy, 190;
  cf. “Meddletun,” 237.

“Midsummer Night’s Dream,” compared with “Old Fortunatus,” 65.

Millais, 203.

Milton, indebted to Marlowe, 5, 38, 50, 95, 150;
  indebted to Middleton, 157, 170, 236, 199;
  indebted to Heywood, 217.

Minto, on Chapman, 260.

“Miseries of Enforced Marriage, The,” 246.

“Misery of a Prison and a Prisoner, The” (Dekker), 99.

Moliere, Dekker compared with, 107: 
  Marston, 132, 133, 211;
  Heywood, 211, 216, 222.

“Monsieur d’Olive” (Chapman), 259.

Morality plays. 156.

“More Dissemblers Besides Women” (Middleton), 164.

Morris, William, 215, 223.

“Mountebank’s Masque,” 138.

Musaeus, 256.

“Myrrha” (Barkstead), 136.

Nash, Thomas, 8, 100, 180, 188.

National characteristics on Heywood, Sidney, etc., 254.

Nelson, 254.

Newman, J.H., 89, 90.

“News from Hell,” 95.

“New Wonder, A, etc.” (Rowley), 191.

“Northward Ho!”, 20.

“No Wit, No Help Like a Woman’s” (Middleton), 165.

“Odyssey,” Chapman’s translation, 256.

“Old Fortunatus” (Webster), 21, 30;
  “Midsummer Night’s Dream” compared with, 65.

“Old Law, The” (Rowley), 167.

Old Plays, Dilke’s. 154, 195.

One-part plays, 237.

“Othello,” 16, 31.

Ovid, Marlowe’s translations, 12;
  source for Heywood, 218;
  Dryden’s translations, 221.

Oxford, 255.

Painter, William, 58.

“Palace of Pleasure, The” (Painter). 58.

“Paradise Regained,” 157.

“Parasitaster, The” (Marston), 133, 146.

“Parliament of Bees, The,” 85.

“Passionate Shepherd, The” (Marlowe), 13.

“Patient Grissel,” 72.

Patient Grizel, type of heroine, 247.

Patriotism in Dante, Coleridge, Shakespeare, Virgil, 202;
  in Heywood, 243, 245.