Heywood, Thomas (200-254), realism, 65, 215;
  “The Royal King,” etc., 193;
  characters from life, 201;
  love of country, 202;
  of London, 202;
  pathos and humor, 204;
  patriotism, 210;
  imitator of Theocritus, 214;
  William Morris compared with, 215;
  power of condensation, 217;
  character as poet, 224, 225;
  influence of civic services, 226;
  compared with Fletcher, 232;
  best play, 233, 234;
  national quality in, 236, 254;
  dramatic force, 245;
  disciple of Jonson, 251;
  prose, 253;
  story-telling, 253.

“Hierarchie of the Blessed Angels, The” (Heywood), 212.

“Hippolytus,” 37.

History, treatment on stage, 18, 19.

“Histriomatrix,” 126, 139, 140. [Transcriber’s note:  in the text, “Histriomastix”]

Hogarth, 158.

Homer, 220;
  Chapman on, 255-261.

“Honest Whore, The,” Webster’s part in, 21;
  Dekker’s, 74, 75;
  Middleton’s and Rowley’s, 183.

Hood, 138.

Horace, 143.

Horne, 152.

“How to Choose a Good Wife from a Bad” (Heywood), 247.

Hugo, Victor, son of, 4; 33, 38;
  Dekker compared with, 74.

Hunt, Leigh, on Dekker, 78;
  on Middleton, 154.

“Hymns” (Homer), 256.

“If you know not me,” 206.

“Iliad,” Chapman’s translation, 255.

“Inner-Temple Masque, The,” 179.

“Insatiate Countess, The” (Marston), 135.

“Iron Age, The,” 216, 220.

Italian influence, 73, 103, 119, 148, 247.

“Jack Drum’s Entertainment,” 126, 142.

Jeronimo, 167.

“Jerusalem” (Blake), 279.

“Jests to make you merry” (Dekker), 99.

“Jew of Malta” (Marlowe), 5;
  compared with “Dr. Faustus,” 6;
  with “King Richard II.,” 11, 189.

“Jocondo and Astolfo” (Dekker), 110.

Johnson, Dr., 162, 237.

Jones, Inigo, 256.

Jonson, Ben, compared with Shakespeare, 65;
  “Poetaster,” 68;
  compared with Dekker, 69, 70, 111;
  collaboration with Dekker, 71;
  court characters, 85;
  influence on Marston, 122;
  “Catiline,” 144;
  character invention, 158;
  compared with Middleton, 165, 172;
  treatment of couplet, 205;
  model for other poets of the age, 222, 237;
  friend of Chapman, 256;
  model for Heywood, 251;
  Chapman’s feeling toward, 260;
  ridicules Marston, 276.

Juvenal, Tourneur akin to, 281.

Keats, 223;
  on Chapman, 258.

Killigrew, 267.

King Brute, 213.

“King Edward III.,” 12.

“King Edward IV.,” 203, 230.

“King Henry VI.,” Marlowe’s part in, 9.

“King Henry VIII.,” Fletcher’s part in, 174.

King James, 129;
  demonology, 161, 213, 256.

“King Lear,” 16, 31, 176.