When all the skies with snow were
grey,
And all the earth
with snow was white,
I wandered down a still wood way,
And there I met
my heart’s delight
Slow moving through the silent wood,
The spirit of its solitude:
The brown birds
and the lichened tree
Seemed less a
part of it than she.
Where pheasants’ feet and
rabbits’ feet
Had marked the
snow with traces small,
I saw the footprints of my sweet—
The sweetest woodland
thing of all.
With Christmas roses in her hand,
One heart-beat’s space I saw
her stand;
And then I let
her pass, and stood
Lone in an empty
world of wood.
And though by that same path I’ve
passed
Down that same
woodland every day,
That meeting was the first and last,
And she is hopelessly
away.
I wonder was she really there—
Her hands, and eyes, and lips, and
hair?
Or was it but
my dreaming sent
Her image down
the way I went?
Empty the woods are where we met—
They will be empty
in the spring;
The cowslip and the violet
Will die without
her gathering.
But dare I dream one radiant day
Red rose-wreathed she will pass
this way
Across the glad
and honoured grass;
And then—I
will not let her pass.
And this Dedication, with its tender silver-grey notes of colour, is charming:
In any meadow where your feet may
tread,
In any garland
that your love may wear,
May be the flower whose hidden fragrance
shed
Wakes some old
hope or numbs some old despair,
And makes life’s
grief not quite so hard to bear,
And makes life’s joy more
poignant and more dear
Because of some delight dead many
a year.
Or in some cottage garden there
may be
The flower whose
scent is memory for you;
The sturdy southern-wood, the frail
sweet-pea,
Bring back the
swallow’s cheep, the pigeon’s coo,
And youth, and
hope, and all the dreams they knew,
The evening star, the hedges grey
with mist,
The silent porch where Love’s
first kiss was kissed.
So in my garden may you chance to
find
Or royal rose
or quiet meadow flower,
Whose scent may be with some dear
dream entwined,
And give you back
the ghost of some sweet hour,
As lilies fragrant
from an August shower,
Or airs of June that over bean-fields
blow,
Bring back the sweetness of my long
ago.
All through the volume we find the same dexterous refining of old themes, which is indeed the best thing that our lesser singers can give us, and a thing always delightful. There is no garden so well tilled but it can bear another blossom, and though the subject-matter of Miss Nesbit’s book is as the subject-matter of almost all books of poetry, she can certainly lend a new grace and a subtle sweetness to almost everything on which she writes.