From the hour I saw her first, I
was entranced,
Or embosomed in a charmed world,
circumscribed
By its proper circumambient atmosphere,
Herself its centre, and wide pervading
spirit.
The air all beauty of colour held
dissolved,
And tints distilled as dew are shed
by heaven.
Mr. Griffiths’ Sonnets and Other Poems are very simple, which is a good thing, and very sentimental, which is a thing not quite so good. As a general rule, his verse is full of pretty echoes of other writers, but in one sonnet he makes a distinct attempt to be original and the result is extremely depressing.
Earth wears her grandest robe, by
autumn spun,
Like some stout matron who of youth
has run
The course, . . .
is the most dreadful simile we have ever come across even in poetry. Mr. Griffiths should beware of originality. Like beauty, it is a fatal gift.
Imitators of Mr. Browning are, unfortunately, common enough, but imitators of Mr. and Mrs. Browning combined are so very rare that we have read Mr. Francis Prevost’s Fires of Green Wood with great interest. Here is a curious reproduction of the manner of Aurora Leigh:
But Spring! that part at least our
unchaste eyes
Infer from some wind-blown philactery,
(It wears its breast bare also)—chestnut
buds,
Pack’d in white wool as though
sent here from heaven,
Stretching wild stems to reach each
climbing lark
That shouts against the fading stars.
And here is a copy of Mr. Browning’s mannerisms. We do not like it quite so well:
If another
Save all bother,
Hold that perhaps loaves grow like
parsnips:
Call the baker
Heaven’s
care-taker,
Live, die; Death may show him where
the farce nips.
Not I; truly
He may duly
Into church or church-day shunt
God;
Chink his pocket,
Win your locket;—
Down we go together to confront
God.
Yet, in spite of these ingenious caricatures there are some good poems, or perhaps we should say some good passages, in Mr. Prevost’s volume. The Whitening of the Thorn-tree, for instance, opens admirably, and is, in some respects, a rather remarkable story. We have no doubt that some day Mr. Prevost will be able to study the great masters without stealing from them.
Mr. John Cameron Grant has christened himself ‘England’s Empire Poet,’ and, lest we should have any doubts upon the subject, tells us that he ‘dare not lie,’ a statement which in a poet seems to show a great want of courage. Protection and Paper-Unionism are the gods of Mr. Grant’s idolatry, and his verse is full of such fine fallacies and masterly misrepresentations that he should be made Laureate to the Primrose League at once. Such a stanza as—
Ask the ruined Sugar-worker if he
loves the foreign beet—
Rather, one can hear him answer,
would I see my children eat—