Mrs. Lirriper's Legacy eBook

This eBook from the Gutenberg Project consists of approximately 56 pages of information about Mrs. Lirriper's Legacy.
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Mrs. Lirriper's Legacy eBook

This eBook from the Gutenberg Project consists of approximately 56 pages of information about Mrs. Lirriper's Legacy.

Before going on to look after my Legacy we were to make one regular day in Paris, and I leave you to judge my dear what a day that was with Jemmy and the Major and the telescope and me and the prowling young man at the inn door (but very civil too) that went along with us to show the sights.  All along the railway to Paris Jemmy and the Major had been frightening me to death by stooping down on the platforms at stations to inspect the engines underneath their mechanical stomachs, and by creeping in and out I don’t know where all, to find improvements for the United Grand Junction Parlour, but when we got out into the brilliant streets on a bright morning they gave up all their London improvements as a bad job and gave their minds to Paris.  Says the prowling young man to me “Will I speak Inglis No?” So I says “If you can young man I shall take it as a favour,” but after half-an-hour of it when I fully believed the man had gone mad and me too I says “Be so good as fall back on your French sir,” knowing that then I shouldn’t have the agonies of trying to understand him, which was a happy release.  Not that I lost much more than the rest either, for I generally noticed that when he had described something very long indeed and I says to Jemmy “What does he say Jemmy?” Jemmy says looking with vengeance in his eye “He is so jolly indistinct!” and that when he had described it longer all over again and I says to Jemmy “Well Jemmy what’s it all about?” Jemmy says “He says the building was repaired in seventeen hundred and four, Gran.”

Wherever that prowling young man formed his prowling habits I cannot be expected to know, but the way in which he went round the corner while we had our breakfasts and was there again when we swallowed the last crumb was most marvellous, and just the same at dinner and at night, prowling equally at the theatre and the inn gateway and the shop doors when we bought a trifle or two and everywhere else but troubled with a tendency to spit.  And of Paris I can tell you no more my dear than that it’s town and country both in one, and carved stone and long streets of high houses and gardens and fountains and statues and trees and gold, and immensely big soldiers and immensely little soldiers and the pleasantest nurses with the whitest caps a playing at skipping-rope with the bunchiest babies in the flattest caps, and clean table-cloths spread everywhere for dinner and people sitting out of doors smoking and sipping all day long and little plays being acted in the open air for little people and every shop a complete and elegant room, and everybody seeming to play at everything in this world.  And as to the sparkling lights my dear after dark, glittering high up and low down and on before and on behind and all round, and the crowd of theatres and the crowd of people and the crowd of all sorts, it’s pure enchantment.  And pretty well the only thing that grated on me was that whether you pay your fare at the railway or whether you change your money at a money-dealer’s or whether you take your ticket at the theatre, the lady or gentleman is caged up (I suppose by government) behind the strongest iron bars having more of a Zoological appearance than a free country.

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Mrs. Lirriper's Legacy from Project Gutenberg. Public domain.