With this loss of her beauty, however, the Duchess’s reign may be said to have come to an end.  King Charles’s eyes were soon to be dazzled by the fresher charms of Louise de Querouaille, whom the “Sun-King” had sent from France to turn his head and influence his foreign policy in Louis’s favour; and La belle Stuart was not slow to realise that at last her sun had set.  During the remainder of her long life, at least until the Orange King came to the Throne, she retained her office of Lady of the Bedchamber to two Queens; but her appearances at Court, the scene of so many triumphs, were as few as she could make them.

For the rest her days were spent in retirement, among her beloved books and pictures and cats; until, after thirty years of widowhood, full of years and wearied of life’s vanities, she was laid to rest in her ducal robes in Westminster Abbey.  The bulk of her enormous fortune went to her nephew, Lord Blantyre, with a direction that he should purchase with part of it an estate, to be known as “Lennox’s Love to Blantyre”; and to this day “Lennox-Love” perpetuates, like the Britannia of our coins, the memory of one of the most beautiful and tantalising women who have ever driven men to distraction by their beauty.

CHAPTER II

THE NIGHTINGALE OF BATH

A century and a half ago Bath had reached the zenith of her fame and allurement, not only as “Queen of the West,” but as Empress of all the haunts of pleasure in England.  She drew, as by an irresistible magnet, rank and beauty and wealth to her shrine.  In her famous Assembly Rooms, statesmen rubbed shoulders with card-sharpers, Marquises with swell mobsmen, and Countesses with courtesans, all in eager quest of pleasure or conquest or gain.  The Bath season was England’s carnival, when cares and ceremonial alike were thrown to the winds, when the pleasure of the moment was the only ambition worth pursuing, and when even the prudish found a fearful joy in playing hide-and-seek with vice.

But although the fairest women in the land flocked to Bath, by common consent not one of them all was so beautiful and bewitching as Elizabeth Ann Linley, the girl-nightingale, whose voice entranced the ear daily at the Assembly Rooms concerts as her loveliness feasted the eye.  She was, as all the world knew, only the daughter of Thomas Linley, singing-master and organiser of the concerts, a man who had plied chisel and saw at the carpenter’s bench before he found the music that was in him; but, obscure as was her birth, she reigned supreme by virtue of a loveliness and a gift of song which none of her sex could rival.

It is thus little wonder that Elizabeth Linley’s fame had travelled far beyond the West Country town in which she was cradled.  George III. had summoned her to sing to him in his London palace, and had been so overcome by her gifts of beauty and melody that, with tears streaming down his cheeks, he had stroked her hair and caressed her hands, and declared to the blushing girl that he had never seen any one so beautiful or heard a voice so divinely sweet.