The old man had composed in his own mind a history of the French republic, filled with the glorious features which gave immortality to that heroic period to the exclusion of all else.  The infamous deeds, the massacres, the spoliations, his virtuous soul ignored; he admired, with a single mind, the devotedness of the people, the “Vengeur,” the gifts to the nation, the uprising of the country to defend its frontier; and he still pursued his dream that he might sleep in peace.

The Revolution produced many poets like old Niseron, who sang their poems in the country solitudes, in the army, openly or secretly, by deeds buried beneath the whirlwind of that storm, just as the wounded left behind to die in the great wars of the empire cried out, “Long live the Emperor!” This sublimity of soul belongs especially to France.  The Abbe Brossette respected the convictions of the old man, who became simply but deeply attached to the priest from hearing him say, “The true republic is in the Gospel.”  The stanch republican carried the cross, and wore the sexton’s robe, half-red, half-black, and was grave and dignified in church,—­supporting himself by the triple functions with which he was invested by the abbe, who was able to give the fine old man, not, to be sure, enough to live on, but enough to keep him from dying of hunger.

Niseron, the Aristides of Blangy, spoke little, like all noble dupes who wrap themselves in the mantle of resignation; but he was never silent against evil, and the peasants feared him as thieves fear the police.  He seldom came more than six times a year to the Grand-I-Vert, though he was always warmly welcomed there.  The old man cursed the want of charity of the rich,—­their selfishness disgusted him; and through this fiber of his mind he seemed to the peasants to belong to them; they were in the habit of saying, “Pere Niseron doesn’t like the rich; he’s one of us.”

The civic crown won by this noble life throughout the valley lay in these words:  “That good old Niseron! there’s not a more honest man.”  Often taken as umpire in certain kinds of disputes, he embodied the meaning of that archaic term,—­the village elder.  Always extremely clean, though threadbare, he wore breeches, coarse woollen stockings, hob-nailed shoes, the distinctively French coat with large buttons and the broad-brimmed felt hat to which all old peasants cling; but for daily wear he kept a blue jacket so patched and darned that it looked like a bit of tapestry.  The pride of a man who feels he is free, and knows he is worthy of freedom, gave to his countenance and his whole bearing a something that was inexpressibly noble; you would have felt he wore a robe, not rags.

“Hey! what’s happening so unusual?” he said, “I heard the noise down here from the belfry.”

They told him of Vatel’s attack on the old woman, talking all at once after the fashion of country-people.

“If she didn’t cut the tree, Vatel was wrong; but if she did cut it, you have done two bad actions,” said Pere Niseron.