Punch, or the London Charivari, Volume 100, May 2, 1891 eBook

This eBook from the Gutenberg Project consists of approximately 40 pages of information about Punch, or the London Charivari, Volume 100, May 2, 1891.

Punch, or the London Charivari, Volume 100, May 2, 1891 eBook

This eBook from the Gutenberg Project consists of approximately 40 pages of information about Punch, or the London Charivari, Volume 100, May 2, 1891.

SIR,—­The only book worth thinking about for such an expedition as you mention would be STANLEY’s In Darkest Africa.  Its Maps would be invaluable,—­as presents for a rival explorer, whom one might desire to mislead as to his route.  CARL P-T-RS.

* * * * *

MR. HERKOMER AND MR. PENNELL.

PROFESSOR HERKOMER defends the use of Photography for the engraver’s purposes, and clearly thinks that what TENNYSON ought to have written, in Locksley Hall, was—­

“And the thoughts of men are widened by a Process of the Sun’s.”

He also comforts himself with the reflection that being called over the coals in the National Observer, is one of the PENNELL-ties of success.

* * * * *

MR. PUNCH’S POCKET IBSEN.

(CONDENSED AND REVISED VERSION BY MR. P.’S OWN HARMLESS IBSENITE.)

NO.  III.—­HEDDA GABLER.

ACT II.

    SCENE—­The cheerful dark Drawing-room.  It is afternoon. 
    HEDDA stands loading a revolver in the back Drawing-room.

Hedda (looking out, and shouting).  How do you do, Judge? (Aims at him.) Mind yourself! [She fires.

Brack (entering).  What the devil!  Do you usually take pot-shots at casual visitors? [Annoyed.

Hedda.  Invariably, when they come by the back-garden.  It is my unconventional way of intimating that I am at home.  One does do these things in realistic dramas, you know.  And I was only aiming at the blue sky.

Brack.  Which accounts for the condition of my hat. (Exhibiting it.) Look here—­riddled!

Hedda.  Couldn’t help myself.  I am so horribly bored with TESMAN.  Everlastingly to be with a professional person!

Brack (sympathetically).  Our excellent TESMAN is certainly a bit of a bore. (Looks searchingly at her.) What on earth made you marry him?

Hedda.  Tired of dancing, my dear, that’s all.  And then I used TESMAN to take me home from parties; and we saw this villa; and I said I liked it, and so did he; and so we found some common ground, and here we are, do you see!  And I loathe TESMAN, and I don’t even like the villa now; and I do feel the want of an entertaining companion so!

[Illustration:  “I am a Norwegian literary man, and peculiar.”]

Brack.  Try me.  Just the kind of three-cornered arrangement that I like.  Let me be the third person in the compartment—­(confidentially)—­the tried friend, and, generally speaking, cock of the walk!

Hedda (audibly drawing in her breath).  I cannot resist your polished way of putting things.  We will conclude a triple alliance.  But hush!—­here comes TESMAN.

    [Enter GEORGE, with a number of books under his arm.

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Punch, or the London Charivari, Volume 100, May 2, 1891 from Project Gutenberg. Public domain.