=Poems Chiefly Lyrical=
[The poems numbered I-XXIV which follow, were published in 1830 in the volume Poems chiefly Lyrical. (London: Effingham Wilson, Royal Exchange, 1830.) They were never republished by Tennyson.]
I
=The ‘How’ and the ’Why’=
I am any man’s
suitor,
If any will be
my tutor:
Some say this life is pleasant,
Some think it
speedeth fast:
In time there is no present,
In eternity no
future,
In eternity no
past.
We laugh, we cry, we are born, we die,
Who will riddle me the how and
the why?
The bulrush nods unto his brother
The wheatears whisper to each other:
What is it they say? What do they
there?
Why two and two make four? Why round
is not square?
Why the rocks stand still, and the light
clouds fly?
Why the heavy oak groans, and the white
willows sigh?
Why deep is not high, and high is not
deep?
Whether we wake or whether we sleep?
Whether we sleep or whether we die?
How you are you? Why I am I?
Who will riddle me the how and
the why?
The world is somewhat; it goes on somehow;
But what is the meaning of then
and now!
I feel there is something; but how and
what?
I know there is somewhat; but what and
why!
I cannot tell if that somewhat be I.
The little bird pipeth ‘why! why!’
In the summerwoods when the sun falls
low,
And the great bird sits on the opposite
bough,
And stares in his face and shouts ‘how?
how?’
And the black owl scuds down the mellow
twilight,
And chaunts ‘how? how?’ the
whole of the night.
Why the life goes when the blood is spilt?
What the life is? where the soul may lie?
Why a church is with a steeple built;
And a house with a chimney-pot?
Who will riddle me the how and the what?
Who will riddle me the what and the why?
II
=The Burial of Love=
His eyes in eclipse,
Pale cold his
lips,
The light of his hopes unfed,
Mute his tongue,
His bow unstrung
With the tears he hath shed,
Backward drooping his graceful head.
Love is dead;
His last arrow
sped;
He hath not another dart;
Go—carry
him to his dark deathbed;
Bury him in the cold, cold heart—
Love is dead.
Oh, truest love! art thou forlorn,
And unrevenged?
Thy pleasant wiles
Forgotten, and thine innocent joy?
Shall hollow-hearted
apathy,
The cruellest form of perfect scorn,
With langour of
most hateful smiles,
For ever write
In the weathered light
Of the tearless
eye
An epitaph that
all may spy?
No! sooner she
herself shall die.