There are another sort of Criticks, which are equally ill-natur’d to these I have mention’d, tho’ in all other respects vastly inferior to them: They are such as no sooner hear of a Performance compos’d by a Juvenile Author, or one not hitherto known in the way of Writing he has undertaken; but immediately without reading a Line give it a Stamp of Damnation; (not considering that the first Performance of an Author in any way of Writing done carefully, is oftentimes the best) and if they had thoroughly perus’d it, they were no ways capable of Judging of either the Sense, Language, or Beauty of any one Paragraph; and what is still worse, these ignorant Slanderers of Writings frequently take what other Persons report for Authority, who know as little, or perhaps are more Ignorant than themselves, so little Regard have they to the Reputation of an Author.
And sometimes you’ll find a pert Bookseller give himself the Airs of Judging a Performance so far, as to Condemn the Correctness of what he knows nothing of these there’s a pretender to Authorship in the City, who Rules the young Fry of Biblioples about the Royal-Exchange.
But the Booksellers in general, (tho’ they commonly Judge of the Goodness of Writings, by the greatness of the Sale,) are Very sensible that their greatest Security in respect to the Performance of any Work, is the Qualification of the Person that Composes it, the Confidence they can Repose in him; his Capacity, Industry and Veracity; And the Author’s Reputation is so far concern’d in a Performance, which he owns that the Bookseller will sooner rely upon that, than his own Judgment.
To descend still to a lower Order of Criticks, you’ll find very few Coffee-Houses in this opulent City without an illiterate Mechanick, Commenting upon the most material Occurrences, and Judging the Actions of the greatest Councils in Europe, and rarely a Victualing House, but you meet with a Tinker, a Cobler, or a Porter, Criticizing upon the Speeches of Majesty, or the Writings of the most celebrated Men of the Age.
This is entirely owing to Party, and there is such a Contagion diffuses it self thro’ the greatest Part of the World at this Time, that it is impossible for a Man to acquire a universal Character in Writing, as it is inconsistent for him to engage in Writings for both Parties at one and the same Time, (whatever he may do alternately) without which such a Character is not attainable; and these contending Parties carry Things to that Extremity, that they’ll by no means allow the least Merit in the most perfect Author, who adheres to the opposite Side; his Performances will be generally unheeded, if not blasted, and frequently damn’d, as if, like Coelus, he were capable of producing nothing but Monsters; he shall be in all Respects depress’d and debas’d, at the same time an illiterate Scribler, an auspicious Ideot of their own (with whose Nonsense they are never sated) shall be extoll’d to the Skies: Herein, if a Man has all the Qualifications necessary in Poetry, as an Elegance of Style, an Excellency of Wit, and a Nobleness of Thought; were Master of the most surprizing Turns, fine Similies, and of universal Learning, yet he shall be despis’d by the Criticks, and rang’d amongst the damn’d Writers of the Times.