It may be possible now to see clearly that if no one had tried for the unattainable, Cavour would not have found the ground prepared for his work. The appreciation of his rank among Italian liberators rests on a different point, and it is this: without a man of his positive mould, of his practical genius, of his force of will and force of patience, would the era of splendid endeavours have passed into the era of accomplished facts? If the answer to this is ‘No,’ then nothing can take from Cavour the glory of having conferred an incalculable boon on the country which he loved with a love that was not the less strong because it lacked the divinising qualities of imagination.
An aristocrat by birth and the inheritor of considerable wealth, Cavour was singularly free from prejudices; his favourite study was political economy, and in quiet times he would probably have given all his energies to the interests of commerce and agriculture. He was an advocate of free trade, and was, perhaps, the only one of the many Italians who feted Mr Cobden on his visit to Italy who cared in the least for the motive of his campaign. Cavour understood English politics better than they have ever been understood by a foreign statesman; his article on Ireland, written in 1843, may still be read with profit. Before parliamentary life existed in Piedmont, he took the only way open of influencing public opinion by founding a newspaper, the Risorgimento, in which he continued to write for several years. In the Chamber of Deputies he soon made his power felt—power is the word, for he was no orator in the ordinary sense; his speeches read well, as hard hitting and logical expositions, but they were not well delivered. Cavour never spoke Italian with true grace and ease though he selected it for his speeches, and not French, which was also allowed and which he spoke admirably. His presence, too, did not lend itself to oratory; short and thickset, and careless in his dress, he formed a contrast to the romantic figure of D’Azeglio. Yet his prosaic face, when animated, gave an impressive sense of that attribute which seemed to emanate from the whole man: power.