As regards the boots, they are not quite so ugly or so uncomfortable as the hat; still they are evidently made of stiff leather, as otherwise they would fall down to the ankle, whereas the boot should be made of soft leather always, and if worn high at all must be either laced up the front or carried well over the knee: in the latter case one combines perfect freedom for walking together with perfect protection against rain, neither of which advantages a short stiff boot will ever give one, and when one is resting in the house the long soft boot can be turned down as the boot of 1640 was. Then there is the overcoat: now, what are the right principles of an overcoat? To begin with, it should be capable of being easily put on or off, and worn over any kind of dress; consequently it should never have narrow sleeves, such as are shown in Mr. Huyshe’s drawing. If an opening or slit for the arm is required it should be made quite wide, and may be protected by a flap, as in that excellent overall the modern Inverness cape; secondly, it should not be too tight, as otherwise all freedom of walking is impeded. If the young gentleman in the drawing buttons his overcoat he may succeed in being statuesque, though that I doubt very strongly, but he will never succeed in being swift; his super-totus is made for him on no principle whatsoever; a super-totus, or overall, should be capable of being worn long or short, quite loose or moderately tight, just as the wearer wishes; he should be able to have one arm free and one arm covered, or both arms free or both arms covered, just as he chooses for his convenience in riding, walking, or driving; an overall again should never be heavy, and should always be warm: lastly, it should be capable of being easily carried if one wants to take it off; in fact, its principles are those of freedom and comfort, and a cloak realises them all, just as much as an overcoat of the pattern suggested by Mr. Huyshe violates them.