It was a village distended with hospitalities.  Not only the inn but all the houses about the place of the linden tree, the shoe-maker’s, the post-mistress’s, the white house beyond, every house indeed except the pastor’s house, were full of Adam Meyer’s summer guests.  And about it and over it went and soared Adam Meyer, seeing they ate well, seeing they rested well, seeing they had music and did not miss the moonlight—­a host who forgot profit in hospitality, an inn-keeper with the passion of an artist for his inn.

Music, moonlight, the simple German sentiment, the hearty German voices, the great picnic in a Stuhl Wagen, the orderly round games the boys played with the German children, and the tramps and confidences Hugh had with Kurt and Karl, and at last a crowning jollification, a dance, with some gipsy musicians whom Mr. Britling discovered, when the Germans taught the English various entertaining sports with baskets and potatoes and forfeits and the English introduced the Germans to the licence of the two-step.  And everybody sang “Britannia, Rule the Waves,” and “Deutschland, Deutschland ueber Alles,” and Adam Meyer got on a chair and made a tremendous speech more in dialect than ever, and there was much drinking of beer and sirops in the moonlight under the linden....

Afterwards there had been a periodic sending of postcards and greetings, which indeed only the war had ended.

Right pleasant people those Germans had been, sun and green-leaf lovers, for whom “Frisch Auf” seemed the most natural of national cries.  Mr. Britling thought of the individual Germans who had made up the assembly, of the men’s amusingly fierce little hats of green and blue with an inevitable feather thrust perkily into the hatband behind, of the kindly plumpnesses behind their turned-up moustaches, of the blonde, sedentary women, very wise about the comforts of life and very kind to the children, of their earnest pleasure in landscape and Art and Great Writers, of their general frequent desire to sing, of their plasticity under the directing hands of Adam Meyer.  He thought of the mellow south German landscape, rolling away broad and fair, of the little clean red-roofed townships, the old castles, the big prosperous farms, the neatly marked pedestrian routes, the hospitable inns, and the artless abundant Aussichtthurms....

He saw all those memories now through a veil of indescribable sadness—­as of a world lost, gone down like the cities of Lyonesse beneath deep seas....

Right pleasant people in a sunny land!  Yet here pressing relentlessly upon his mind were the murders of Vise, the massacres of Dinant, the massacres of Louvain, murder red-handed and horrible upon an inoffensive people, foully invaded, foully treated; murder done with a sickening cant of righteousness and racial pretension....