To bring the heavy artillery of moral reprobation to bear upon a poor soul like Madame de Warens is as if one should denounce flagrant want of moral purpose in the busy movements of ephemera. Her activity was incessant, but it ended in nothing better than debt, embarrassment, and confusion. She inherited from her father a taste for alchemy, and spent much time in search after secret elixirs and the like. “Quacks, taking advantage of her weakness, made themselves her master, constantly infested her, ruined her, and wasted, in the midst of furnaces and chemicals, intelligence, talents, and charms which would have made her the delight of the best societies."[44] Perhaps, however, the too notorious vagrancy of her amours had at least as much to do with her failure to delight the best societies as her indiscreet passion for alchemy. Her person was attractive enough. “She had those points of beauty,” says Rousseau, “which are desirable, because they reside rather in expression than in feature. She had a tender and caressing air, a soft eye, a divine smile, light hair of uncommon beauty. You could not see a finer head or bosom, finer arms or hands."[45] She was full of tricks and whimsies. She could not endure the first smell of the soup and meats at dinner; when they were placed on the table she nearly swooned, and her disgust lasted some time, until at the end of half an hour or so she took her first morsel.[46] On the whole, if we accept the current standard of sanity, Madame de Warens must be pronounced ever so little flighty; but a monotonous world can afford to be lenient to people with a slight craziness, if it only has hearty benevolence and cheerfulness in its company, and is free from egoism or rapacious vanity.