Mount Music eBook

This eBook from the Gutenberg Project consists of approximately 395 pages of information about Mount Music.

Mount Music eBook

This eBook from the Gutenberg Project consists of approximately 395 pages of information about Mount Music.

“I couldn’t, so to speak, lay me ’and on ’er now; her wouldn’t let me go anear ’er, nor she wouldn’t let Jimmy neither, but she ain’t far away, and she’d ’ave what I might call cawnfidence in you, Missie—­” Cottingham had at length concluded:  “Her’s that sly we mightn’t never see ’er again!  But you take and go up that ’ill, Missie, that’s where I seen ’er last, I’ll lay you get ’er if anyone can!”

Christian, “still,” as Rossetti says, “with the whole of pleasure,” received these instructions reverently, and with the pockets of the kennel-coat further loaded with broken biscuit, “took and went” according to instructions.  She climbed the fence behind the kennels, and addressed herself lightly to the ascent of the hill.  It was a long hill, that began with pasture fields, that were merged imperceptibly into moorland, heather and furze.  There were sheep, and donkeys and goats on it, and a melancholy old kennel-horse or two, all feeding peacefully.  Amazon could not be accused in connection with them, so Christian reflected, and prepared herself to rebut any such slander.  The rain was lighter, and the soaking mist that had all day filled the valley, was slowly thinning, and revealing the mighty scroll of silver that was the river, while the woods and hillsides came and went, illusive as the grey hints of landscape in a Japanese water-colour.  But at the mature age of ten years, Christian cared for none of these things.  She saw the smoke from the Mount Music kitchen chimney blending bluely with the mist, and thought with a momentary pang of the birthday cake.  She wondered if the Companions of Finn would so far forget honour and fidelity as to devour it without her.  She thought of the ten candles that would gutter to their end, untended by the heroine of the celebration; she wondered if Cottingham would tell Papa, and if Papa would tell Mother (thus did this child of the ’eighties speak of her parents, the musical abbreviations of a later day, “Mum,” and “Dad,” not having penetrated the remoteness in which her home was placed); she also wondered if there would be a row about her getting wet.  All these things seemed but too probable, but she was in for it now.

Near a ridge of the hill, in one of the shallow valleys that furrowed, like ploughshares, its long slant, there was a dolmen, three huge stones, with a fourth poised on it.  Their grey brows rose over the billows of bracken, and briers, laden with the promise of fruit, made garlands for their ancient heads.  Christian’s straying advance brought her along the lip of the little valley in which they reposed, and quite suddenly there rose in her the conviction that her quest was nearing success.  She was of that mysteriously-gifted company to whom the lairs of things lost are revealed.  She “found things”; she was “lucky.”  She was regarded by the servants as one enfolded in the cloak of St. Anthony, that inestimable saint, whose mission it is to find and protect the lost.  It had become a household habit to appeal to Christian when one of every day’s most common losses occurred.  She would hearken; her little thin body would stiffen, like a dog setting his game, a spark would light in her brown eyes, and—­how led who can say?—­she would fly like a wireless message to the thing sought for.

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Project Gutenberg
Mount Music from Project Gutenberg. Public domain.