To the man who plays
well, the highest stakes are
paid.—HUXLEY.
[Sidenote: Superlative with two objects.]
Compare the first three sentences in Sec. 428 with the following:—
Which do you love best
to behold, the lamb or the lion?
—THACKERAY.
Which of these methods
has the best effect? Both of them are
the same to the sense,
and differ only in form.—DR BLAIR.
Rip was one of those
... who eat white bread or brown, whichever
can be got easiest.—IRVING.
It is hard to say whether
the man of wisdom or the man of folly
contributed most
to the amusement of the party.—SCOTT.
There was an interval
of three years between Mary and Anne. The
eldest, Mary,
was like the Stuarts—the younger
was a fair
English child.—MRS.
OLIPHANT.
Of the two great parties
which at this hour almost share the
nation between them,
I should say that one has the best cause,
and the other contains
the best men.—EMERSON.
In all disputes between
States, though the strongest is nearly
always mainly in the
wrong, the weaker is often so in a minor
degree.—RUSKIN.
She thought him and
Olivia extremely of a size, and would bid
both to stand up to
see which was the tallest.—GOLDSMITH.
These two properties
seem essential to wit, more particularly the
last of them.—ADDISON.
“Ha, ha, ha!”
roared Goodman Brown when the wind laughed at him.
“Let us see which
will laugh loudest.”—HAWTHORNE.
[Sidenote: Double comparative and superlative.]
431. In Shakespeare’s time it was quite common to use a double comparative and superlative by using more or most before the word already having _-er_ or _-est_. Examples from Shakespeare are,—
How much more elder
art thou than thy looks!—Merchant of
Venice.
Nor that I am more better than Prospero.—Tempest.
Come you more nearer.—Hamlet.
With the most boldest and best hearts of Rome.—J. Caesar.
Also from the same period,—
Imitating the manner
of the most ancientest and finest
Grecians.—BEN
JONSON.
After the most straitest sect of our religion.—Bible, 1611.
Such expressions are now heard only in vulgar English. The following examples are used purposely, to represent the characters as ignorant persons:—
The artful saddler persuaded
the young traveler to look at “the
most convenientest
and handsomest saddle that ever was
seen.”—BULWER.