The tumult had roused Edith also from her painful slumbers; and the more necessarily, since, although removed from the tent in which she was first imprisoned, she was still confined in Wenonga’s wigwam. It was the scream of the hag, the chieftain’s wife, who had discovered his body, that first gave the alarm; and the villagers all rushing to the cabin, and yelling their astonishment and terror, there arose an uproar, almost in her ears, that was better fitted to fright her to death than to lull her again to repose. She started from her couch of furs, and with a woman’s weakness, cowered away in the furthest corner of the lodge, to escape the pitiless fees, whom her fears represented as already seeking her life. Nor was this chimera banished from her mind when a man, rushing in, snatched her from her ineffectual concealment and hurried her towards the door. But her terrors ran in another channel, when the ravisher, conquering the feeble resistance she attempted, replied to her wild entreaties “not to kill her,” in the well-remembered voice of Braxley:
“Kill you, indeed!” he muttered, but with agitated tones; “I come to save you; even you are in danger from the maddened villains: they are murdering all! We must fly,—ay, and fast. My horse is saddled,—the woods are open—I will yet save you.”
“Spare me!—for my uncle’s sake, who was your benefactor, spare me!” cried Edith, struggling to free herself from his grasp. But she struggled in vain. “I aim to save you,” cried Braxley; and without uttering another word, bore her from the hut; and, still grasping her with an arm of iron, sprang upon a saddled horse,—the identical animal that had once sustained the weight of the unfortunate Pardon Dodge,—which stood under the elm-tree, trembling with fright at the scene of horror then represented on the square.