Rienzi, Last of the Roman Tribunes eBook

This eBook from the Gutenberg Project consists of approximately 689 pages of information about Rienzi, Last of the Roman Tribunes.

Rienzi, Last of the Roman Tribunes eBook

This eBook from the Gutenberg Project consists of approximately 689 pages of information about Rienzi, Last of the Roman Tribunes.

For his pomp there was a greater excuse:  it was the custom of the time; it was the insignia and witness of power; and when the modern historian taunts him with not imitating the simplicity of an ancient tribune, the sneer betrays an ignorance of the spirit of the age, and the vain people whom the chief magistrate was to govern.  No doubt his gorgeous festivals, his solemn processions, set off and ennobled—­if parade can so be ennobled—­by a refined and magnificent richness of imagination, associated always with popular emblems, and designed to convey the idea of rejoicing for Liberty Restored, and to assert the state and majesty of Rome Revived—­no doubt these spectacles, however otherwise judged in a more enlightened age and by closet sages, served greatly to augment the importance of the Tribune abroad, and to dazzle the pride of a fickle and ostentatious populace.  And taste grew refined, luxury called labour into requisition, and foreigners from all states were attracted by the splendour of a court over which presided, under republican names, two sovereigns, (Rienzi, speaking in one of his letters of his great enterprise, refers it to the ardour of youth.  The exact date of his birth is unknown; but he was certainly a young man at the time now referred to.  His portrait in the Museo Barberino, from which his description has been already taken in the first book of this work, represents him as beardless, and, as far as one can judge, somewhere above thirty—­old enough, to be sure, to have a beard; and seven years afterwards he wore a long one, which greatly displeased his naive biographer, who seems to consider it a sort of crime.  The head is very remarkable for its stern beauty, and little, if at all, inferior to that of Napoleon; to which, as I before remarked, it has some resemblance in expression, if not in feature.) young and brilliant, the one renowned for his genius, the other eminent for her beauty.  It was, indeed, a dazzling and royal dream in the long night of Rome, spoiled of her Pontiff and his voluptuous train—­that holyday reign of Cola di Rienzi!  And often afterwards it was recalled with a sigh, not only by the poor for its justice, the merchant for its security, but the gallant for its splendour, and the poet for its ideal and intellectual grace!

As if to show that it was not to gratify the more vulgar appetite and desire, in the midst of all his pomp, when the board groaned with the delicacies of every clime, when the wine most freely circled, the Tribune himself preserved a temperate and even rigid abstinence. ("Vita di Cola di Rienzi".—­The biographer praises the abstinence of the Tribune.) While the apartments of state and the chamber of his bride were adorned with a profuse luxury and cost, to his own private rooms he transported precisely the same furniture which had been familiar to him in his obscurer life.  The books, the busts, the reliefs, the arms which had inspired him heretofore with the visions of the past, were endeared by associations which he did not care to forego.

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Rienzi, Last of the Roman Tribunes from Project Gutenberg. Public domain.