An elderly man, seeing us looking up at the west front, came to the door of an adjacent house, and called to inquire if we wished to go into the Cathedral; but as there would have been a dusky twilight beneath its roof, like the antiquity that has sheltered itself within, we declined for the present. So we merely walked round the exterior, and thought it more beautiful than that of York; though, on recollection, I hardly deem it so majestic and mighty as that. It is vain to attempt a description, or seek even to record the feeling which the edifice inspires. It does not impress the beholder as an inanimate object, but as something that has a vast, quiet, long-enduring life of its own,—a creation which man did not build, though in some way or other it is connected with him, and kindred to human nature. In short, I fall straightway to talking nonsense, when I try to express my inner sense of this and other cathedrals.
While we stood in the close, at the eastern end of the Minster, the clock chimed the quarters; and then Great Tom, who hangs in the Rood Tower, told us it was eight o’clock, in far the sweetest and mightiest accents that I ever heard from any bell,—slow, and solemn, and allowing the profound reverberations of each stroke to die away before the next one fell. It was still broad daylight in that upper region of the town, and would be so for some time longer; but the evening atmosphere was getting sharp and cool. We therefore descended the steep street,—our younger companion running before us, and gathering such headway that I fully expected him to break his head against some projecting wall.
In the morning we took a fly, (an English term for an exceedingly sluggish vehicle,) and drove up to the Minster by a road rather less steep and abrupt than the one we had previously climbed. We alighted before the west front, and sent our charioteer in quest of the verger; but, as he was not immediately to be found, a young girl let us into the nave. We found it very grand, it is needless to say, but not so grand, methought, as the vast nave of York Cathedral, especially beneath the great central tower of the latter. Unless a writer intends a professedly architectural description, there is but one set of phrases in which to talk of all the cathedrals in England, and elsewhere. They are alike in their great features: an acre or two of stone flags for a pavement; rows of vast columns supporting a vaulted roof at a dusky height; great windows, sometimes richly bedimmed with ancient or modern stained glass; an elaborately carved screen between the nave and chancel, breaking the vista that might else be of such glorious length, and which is further choked up by a massive organ,—in spite of which obstructions, you catch the broad, variegated glimmer of the painted east window, where a hundred saints wear their robes of transfiguration. Within the screen are the carved oaken stalls of the Chapter and Prebendaries,