When the chimes began to ring all over the city, she could hardly believe that the carillon was not saying its “Laus Deo” with some special meaning in its bells of her.

The morning went by as usual; the noise of the throngs about her like a driving of angry winds, but no more hurting her than the angels on the roof of St. Gudule are hurt by the storm when it breaks.

Hard words, fierce passions, low thoughts, evil deeds, passed by the child without resting on her; her heart was in her flowers, and was like one of them with the dew of daybreak on it.

There were many strangers in the city, and such are always sure to loiter in the Spanish square; and she sold fast and well her lilacs and her roses, and her knots of thyme and sweetbrier.

She was always a little sorry to see them go, her kindly pretty playmates that, nine times out of ten no doubt, only drooped and died in the hands that purchased them, as human souls soil and shrivel in the grasp of the passions that woo them.

The day was a busy one, and brought in good profit.  Bebee had no less than fifty sous in her leather pouch when it was over,—­a sum of magnitude in the green lane by Laeken.

A few of her moss-roses were still unsold, that was all, when the Ave Maria began ringing over the town and the people dispersed to their homes or their pleasuring.

It was a warm gray evening:  the streets were full; there were blossoms in all the balconies, and gay colors in all the dresses.  The old tinker put his tools together, and whispered to her,—­

“Bebee, as it is your feast day, come and stroll in St. Hubert’s gallery, and I will buy you a little gilt heart, or a sugar-apple stick, or a ribbon, and we can see the puppet show afterwards, eh?”

But the children were waiting at home:  she would not spend the evening in the city; she only thought she would just kneel a moment in the cathedral and say a little prayer or two for a minute—­the saints were so good in giving her so many friends.

There is something very touching in the Flemish peasant’s relation with his Deity.  It is all very vague to him:  a jumble of veneration and familiarity, of sanctity and profanity, without any thought of being familiar, or any idea of being profane.

There is a homely poetry, an innocent affectionateness in it, characteristic of the people.  He talks to his good angel Michael, and to his friend that dear little Jesus, much as he would talk to the shoemaker over the way, or the cooper’s child in the doorway.

It is a very unreasonable, foolish, clumsy sort of religion, this theology in wooden shoes; it is half grotesque, half pathetic; the grandmothers pass it on to the grandchildren as they pass the bowl of potatoes round the stove in the long winter nights; it is as silly as possible, but it comforts them as they carry fagots over the frozen canals or wear their eyes blind over the squares of lace; and it has in it the supreme pathos of any perfect confidence, of any utterly childlike and undoubting trust.