But this is only the Brussels of the noblesse and the foreigners.

There is a Brussels that is better than this—­a Brussels that belongs to the old burgher life, to the artists and the craftsmen, to the master-masons of the Moyen-age, to the same spirit and soul that once filled the free men of Ghent and the citizens of Bruges and the besieged of Leyden, and the blood of Egmont and of Horn.

Down there by the water-side, where the old quaint walls lean over the yellow sluggish stream, and the green barrels of the Antwerp barges swing against the dusky piles of the crumbling bridges.

In the gray square desolate courts of the old palaces, where in cobwebbed galleries and silent chambers the Flemish tapestries drop to pieces.

In the great populous square, where, above the clamorous and rushing crowds, the majestic front of the Maison du Roi frowns against the sun, and the spires and pinnacles of the burgomaster’s gathering-halls tower into the sky in all the fantastic luxuriance of Gothic fancy.

Under the vast shadowy wings of angels in the stillness of the cathedral, across whose sunny aisles some little child goes slowly all alone, laden with lilies for the Feast of the Assumption, till their white glory hides its curly head.

In all strange quaint old-world niches withdrawn from men in silent grass-grown corners, where a twelfth-century corbel holds a pot of roses, or a Gothic arch yawns beneath a wool warehouse, or a waterspout with a grinning faun’s head laughs in the grim humor of the Moyen-age above the bent head of a young lace-worker.

In all these, Brussels, though more worldly than her sisters of Ghent and Bruges, and far more worldly yet than her Teuton cousins of Freiburg and Nuernberg, is still in her own way like as a monkish story mixed up with the Romaunt of the Rose; or rather like some gay French vaudeville, all fashion and jest, illustrated in old Missal manner with helm and hauberk, cope and cowl, praying knights and fighting priests, winged griffins and nimbused saints, flame-breathing dragons and enamoured princes, all mingled together in the illuminated colors and the heroical grotesque romance of the Middle Ages.

And it was this side of the city that Bebee knew; and she loved it well, and would not leave it for the market of the Madeleine.

She had no one to tell her anything, and all Antoine had ever been able to say to her concerning the Broodhuis was that it had been there in his father’s time; and regarding St. Gudule, that his mother had burned many a candle before its altars for a dead brother who had been drowned off the dunes.

But the child’s mind, unled, but not misled, had pondered on these things, and her heart had grown to love them; and perhaps no student of Spanish architecture, no antiquary of Moyen-age relics, loved St. Gudule and the Broodhuis as little ignorant Bebee did.

There had been a time when great dark, fierce men had builded these things, and made the place beautiful.  So much she knew; and the little wistful, untaught brain tried to project itself into those unknown times, and failed, and yet found pleasure in the effort.  And Bebee would say to herself as she walked the streets, “Perhaps some one will come some day who will tell me all those things.”