Yet these friendly beings are very useful members of society.  They are brighter companions and better talkers than the men who exhaust themselves in creative work and at odd times favor their friends with choice samples of literary irritability.  John Kenyon wrote a few bright little things, but his best work was in the encouragement he gave others.  He sought out all literary lions and tamed them with his steady glance.  They liked his prattle and good-cheer, and he liked them for many reasons—­one of which was because he could go away and tell how he advised them about this, that and the other.  Then he fed them, too.

And so unrivaled was Kenyon in this line that he won for himself the title of “The Feeder of Lions.”  Now, John Kenyon—­rich, idle, bookish and generous—­saw in the magazines certain fine little poems by one Elizabeth Barrett.  He also ascertained that she had published several books.  Mr. Kenyon bought one of these volumes and sent it by a messenger with a little note to Miss Barrett telling how much he had enjoyed it, and craved that she would inscribe her name and his on the fly-leaf and return by bearer.  Of course she complied with such a modest request so gracefully expressed; these things are balm to poets’ souls.  Next, Mr. Kenyon called to thank Miss Barrett for the autograph.  Soon after, he wrote to inform her of a startling fact that he had just discovered:  they were kinsmen, cousins or something—­a little removed, but cousins still.  In a few weeks they wrote letters back and forth beginning thus:  Dear Cousin.

And I am glad of this cousinly arrangement between lonely young people.  They grasp at it; and it gives an excuse for a bit of closer relationship than could otherwise exist with propriety.  Goodness me! is he not my cousin?  Of course he may call as often as he chooses.  It is his right.

But let me explain here that at this time Mr. Kenyon was not so very young—­that is, he was not absurdly young:  he was fifty.  But men who really love books always have young hearts.  Kenyon’s father left him a fortune, no troubles had ever come his way, and his was not the temperament that searches them out.  He dressed young, looked young, acted young, felt young.

No doubt John Kenyon sincerely admired Elizabeth Barrett, and prized her work.  And while she read his mind a deal more understandingly than he did her poems, she was grateful for his kindly attention and well-meant praise.  He set about to get her poems into better magazines and to find better publishers for her work.  He was not a gifted poet himself, but to dance attendance on one afforded a gratification to his artistic impulse.  He could not write sublime verse himself, but he could tell others how.  So Miss Barrett showed her poems to Mr. Kenyon, and Mr. Kenyon advised that the P’s be made bolder and the tails to the Q’s be lengthened.  He also bought her a new kind of manuscript paper, over which a quill pen would glide with glee:  it was the kind Byron used.  But best of all, Mr. Kenyon brought his friends to call on Miss Barrett; and many of these friends were men with good literary instincts.  The meeting with these strong minds was no doubt a great help to the little lady, shut up in a big house and living largely in dreams.