Yes, the church is always open.  Go in and stay as long as you choose; at the door is a poorbox and if you wish to put something in you can do so—­a sixpence most visitors put in, or a shilling if you insist upon it.  You know we are not a rich parish—­the wool all goes to Manchester now, and the factory-hands are on half-pay and times are scarce.  You will come again some time, come when the heather is in bloom, won’t you?  That’s right.  Oh, stay! the boxwood there in the garden was planted by Charlotte’s own hands—­perhaps you would like a sprig of it—­there, I thought you would!

* * * * *

All who write concerning the Brontes dwell on the sadness and the tragedy of their lives.  They picture Charlotte’s earth-journey as one devoid of happiness, lacking all that sweetens and makes for satisfaction.  They forget that she wrote “Jane Eyre,” and that no person utterly miserable ever did a great work; and I assume that they know not of the wild, splendid, intoxicating joy that follows a performance well done.  To be sure, “Jane Eyre” is a tragedy, but the author of a tragedy must be greater than the plot—­greater than his puppets.  He is their creator, and his life runs through and pervades theirs, just as the life of our Creator flows through us.  In Him we live and move and have our being.  And I submit that the writer of a tragedy is not cast down or undone at the time he pictures his heroic situations and conjures forth his strutting spirits.  When the play ends and the curtain falls on the fifth act, there is still one man alive, and that is the author.  He may be gorged with crime and surfeited with blood, but there is a surging exultation in his veins as he views the ruin that his brain has wrought.

Charlotte loved the great stretch of purple moors, hill on hill fading away into eternal mist.  And the wild winds that sighed and moaned at casements or raged in sullen wrath, tugging at the roof, were her friends.  She loved them all, and thought of them as visiting spirits.  They were her properties, and no writer who ever lived has made such splendid use of winds and storm-clouds and driving rain as did Charlotte Bronte.  People who point to the chasing, angry clouds and the swish of dripping rosebushes blown against the cottage-windows as proof of Charlotte Bronte’s chronic depression know not the eager joy of a storm walk.  And I am sure they never did as one I know did last night:  saddle a horse at ten o’clock and gallop away into the darkness; splash, splash in the sighing, moaning, bellowing, driving November rain.  There’s joy for you! ye who toast your feet on the fender and cultivate sick headache around the base-burner—­there’s a life that ye never guess!

But Charlotte knew the clouds by night and the swift-sailing moon that gave just one peep out and disappeared.  She knew the rifts where the stars shone through, and out alone in the breeze that blew away her cares she lifted her voice in thankfulness for the joy of mixing with the elements, and that her spirit was one with the boisterous winds of heaven.