I made an engagement to meet him the next morning, when he bethought him of his promise to the old man of the cudgel and wooden shoes.

“Come now, then—­come with me now.  My house is just next door!”

And so we walked up the main aisle of the old church, around the altar where Madame Guyon used to kneel, and by a crooked, little passageway entered a house fully as old as the church.  A woman who might have been as old as the house was setting the table in a little dining-room.  She looked up at me through brass-rimmed spectacles, and without orders or any one saying a word she whisked off the tablecloth, replaced it with a snowy, clean one, and put on two plates instead of one.  Then she brought in toasted brown bread and tea, and a steaming dish of lentils, and fresh-picked berries in a basket all lined with green leaves.

It was not a very sumptuous repast, but ’t was enough.  Afterward I learned that Father Francis was a vegetarian.  He did not tell me so, neither did he apologize for absence of fermented drink, nor for his failure to supply tobacco and pipes.

Now, I have heard that there be priests who hold in their cowled heads choice recipes for spiced wines, and who carry hidden away in their hearts all the mysteries of the chafing-dish; but Father Francis was not one of these.  His form was thin, but the bronze of his face was the bronze that comes from red corpuscles, and the strongly corded neck and calloused, bony hands told of manly abstinence and exercise in the open air, and sleep that follows peaceful thoughts, knowing no chloral.

After the meal, Father Francis led the way to his little study upstairs.  He showed me his books and read to me from his one solitary “First Edition.”  Then he unlocked a little drawer in an old chiffonier and brought out a package all wrapped in chamois.  This parcel held two miniature portraits, one of Fenelon and one of Madame Guyon.

“That picture of Fenelon belonged to Madame Guyon.  He had it painted for her and sent it to her while she was in prison at Vincennes.  The other I bought in Paris—­I do not know its history.”

The good priest had work to do, and let me know it very gently, thus:  “You have come a long way, brother, the road was rough—­I know you must be weary.  Come, I’ll show you to your room.”

He lighted a candle and took me to a bedroom at the end of the hall.  It was a little room, very clean, but devoid of all ornament, save a picture of the Madonna and her Babe, that hung over the head of the little iron bedstead.  It was a painting—­not very good.  I think Father Francis painted it himself; the face of the Holy Mother was very human—­divinely human—­as motherhood should be.

Father Francis was right:  the way had been rough and I was tired.

The treetops sang a cooing lullaby and the nightwinds sighed solemnly as they wandered through the hallway and open doors.  It did not take me long to go to sleep.  Later, the wind blew up fresh and cool.  I was too sleepy to get up and hunt for more covering, and yet I was cold as I curled up in a knot and dreamed I was first mate with Peary on an expedition in search of the North Pole.  And the last I remember was a vision of a gray-robed priest tiptoeing across the stone floor; of his throwing over me a heavy blanket and then hastily tiptoeing out again.