consistent with the utmost cheerfulness.”
He unquestionably found it so, and, when the Rev. Morley
Unwin was killed as the result of a fall from his horse,
Cowper and Mrs. Unwin moved to Olney in order to enjoy
further evangelical companionship in the neighbourhood
of the Rev. John Newton, the converted slave-trader,
who was curate in that town. At Olney Cowper added
at once to his terrors of Hell and to his amusements.
For the terrors, Newton, who seems to have wielded
the Gospel as fiercely as a slaver’s whip, was
largely responsible. He had earned a reputation
for “preaching people mad,” and Cowper,
tortured with shyness, was even subjected to the ordeal
of leading in prayer at gatherings of the faithful.
Newton, however, was a man of tenderness, humour,
and literary tastes, as well as of a somewhat savage
piety. He was not only Cowper’s tyrant,
but Cowper’s nurse, and, in setting Cowper to
write the Olney Hymns, he gave a powerful impulse to
a talent hitherto all but hidden. At the same
time, when, as a result of the too merciless flagellation
of his parishioners on the occasion of some Fifth
of November revels, Newton was attacked by a mob and
driven out of Olney, Cowper undoubtedly began to breathe
more freely. Even under the eye of Newton, however,
Cowper could enjoy his small pleasures, and we have
an attractive picture of him feeding his eight pair
of tame pigeons every morning on the gravel walk in
the garden. He shared with Newton his amusements
as well as his miseries. We find him in 1780 writing
to the departed Newton to tell him of his recreations
as an artist and gardener. “I draw,”
he said, “mountains, valleys, woods, and streams,
and ducks, and dab-chicks.” He represents
himself in this lively letter as a Christian lover
of baubles, rather to the disadvantage of lovers of
baubles who are not Christians:
I delight in baubles, and know them to be so; for rested in, and viewed without a reference to their author, what is the earth—what are the planets—what is the sun itself but a bauble? Better for a man never to have seen them, or to see them with the eyes of a brute, stupid and unconscious of what he beholds, than not to be able to say, “The Maker of all these wonders is my friend!” Their eyes have never been opened to see that they are trifles; mine have been, and will be till they are closed for ever. They think a fine estate, a large conservatory, a hothouse rich as a West Indian garden, things of consequence; visit them with pleasure, and muse upon them with ten times more. I am pleased with a frame of four lights, doubtful whether the few pines it contains will ever be worth a farthing; amuse myself with a greenhouse which Lord Bute’s gardener could take upon his back, and walk away with; and when I have paid it the accustomed visit, and watered it, and given it air, I say to myself: “This is not mine, it is a plaything lent me for the present; I must leave it soon.”
In this and the following year we find him turning