of a bishop’s servants”; but his body
was dressed in parrot’s colours, and his bald
head was bagged or in a white cap. If he requested
one of his friends to send him anything from town,
it was usually some little thing, such as a “genteelish
toothpick case,” a handsome stock-buckle, a new
hat—“not a round slouch, which I
abhor, but a smart well-cocked fashionable affair”—or
a cuckoo-clock. He seems to have shared Wordsworth’s
taste for the last of these. Are we not told
that Wordsworth died as his favourite cuckoo-clock
was striking noon? Cowper may almost be said,
so far as his tastes and travels are concerned, to
have lived in a cage. He never ventured outside
England, and even of England he knew only a few of
the southern counties. “I have lived much
at Southampton,” boasted at the age of sixty,
“have slept and caught a sore throat at Lyndhurst,
and have swum in the Bay of Weymouth.”
That was his grand tour. He made a journey to
Eastham, near Chichester, about the time of this boast,
and confessed that, as he drove with Mrs. Unwin over
the downs by moonlight, “I indeed myself was
a little daunted by the tremendous height of the Sussex
hills in comparison of which all I had seen elsewhere
are dwarfs.” He went on a visit to some
relations on the coast of Norfolk a few years later,
and, writing to Lady Hesketh, lamented: “I
shall never see Weston more. I have been tossed
like a ball into a far country, from which there is
no rebound for me.” Who but the little
recluse of a little world could think of Norfolk as
a far country and shake with alarm before the “tremendous
height” of the Sussex downs?
“We are strange creatures, my little friend,”
Cowper once wrote to Christopher Rowley; “everything
that we do is in reality important, though half that
we do seems to be push-pin.” Here we see
one of the main reasons of Cowper’s eternal
attractiveness. He played at push-pin during most
of his life, but he did so in full consciousness of
the background of doom. He trifled because he
knew, if he did not trifle, he would go mad with thinking
about Heaven and Hell. He sought in the infinitesimal
a cure for the disease of brooding on the infinite.
His distractions were those not of too light, but
of too grave, a mind. If he picnicked with the
ladies, it was in order to divert his thoughts from
the wrath to come. He was gay, but on the edge
of the precipice.
I do not mean to suggest that he had no natural inclination
to trifling. Even in the days when he was studying
law in the Temple he dined every Thursday with six
of his old school-fellows at the Nonsense Club.
His essays in Bonnell Thornton and Coleman’s
paper, The Connoisseur, written some time before
he went mad and tried to hang himself in a garter,
lead one to believe that, if it had not been for his
breakdown, he might have equalled or surpassed Addison
as a master of light prose. He was something
of the traditional idle apprentice, indeed, during