images, but to the laboratory and the library, and
in the library the books that he consulted to the
greatest effect were the works of men of science and
learning, not of the great poets with whom London
may almost be said to have been peopled during his
lifetime. I do not think his verse or correspondence
contains a single reference to Shakespeare, whose
contemporary he was, being born only nine years later.
The only great Elizabethan poet whom he seems to have
regarded with interest and even friendship was Ben
Jonson. Jonson’s Catholicism may have been
a link between them. But, more important than
that, Jonson was, like Donne himself, an inflamed
pedant. For each of them learning was the necessary
robe of genius. Jonson, it is true, was a pedant
of the classics, Donne of the speculative sciences;
but both of them alike ate to a surfeit of the fruit
of the tree of knowledge. It was, I think, because
Donne was to so great a degree a pagan of the Renaissance,
loving the proud things of the intellect more than
the treasures of the humble, that he found it easy
to abandon the Catholicism of his family for Protestantism.
He undoubtedly became in later life a convinced and
passionate Christian of the Protestant faith, but at
the time when he first changed his religion he had
none of the fanaticism of the pious convert.
He wrote in an early satire as a man whom the intellect
had liberated from dogma-worship. Nor did he
ever lose this rationalist tolerance. “You
know,” he once wrote to a friend, “I have
never imprisoned the word religion.... They”
(the churches) “are all virtual beams of one
sun.” Few converts in those days of the
wars of religion wrote with such wise reason of the
creeds as did Donne in the lines:
To adore or scorn an image, or protest,
May all be bad; doubt wisely; in strange
way
To stand inquiring right, is not to stray;
To sleep or run wrong is. On a huge
hill,
Cragged and steep, Truth stands, and he
that will
Reach her, about must and about must go;
And what the hill’s suddenness resists
win so.
This surely was the heresy of an inquisitive mind,
not the mood of a theologian. It betrays a tolerance
springing from ardent doubt, not from ardent faith.
It is all in keeping with one’s impression of
the young Donne as a man setting out bravely in his
cockle-shell on the oceans of knowledge and experience.
He travels, though he knows not why he travels.
He loves, though he knows not why he loves. He
must escape from that “hydroptic, immoderate”
thirst of experience by yielding to it. One fancies
that it was in this spirit that he joined the expedition
of Essex to Cadiz in 1596 and afterwards sailed to
the Azores. Or partly in this spirit, for he
himself leads one to think that his love-affairs may
have had something to do with it. In the second
of those prematurely realistic descriptions of storm
and calm relating to the Azores voyage, he writes: