&c., and are meant to represent, by the flow of the drapery, that they are flying through the air.  They have been variously interpreted, but never satisfactorily; some authorities asserting that they were meant to celebrate the arrival of Latona at Xanthus, and others that they symbolise the great naval victory over Evagoras.  Passing over one or two unimportant groups of fragments, the visitor should next examine the remains of the narrow frieze (95-109), upon which an entertainment is represented—­the guests, perfectly used to luxuries, reclining upon couches, and taking wine to the strains of female musicians; also, a sacrifice of various animals.  Passing the coffers of the ceiling (106-109), the visitor should next examine the remains of another narrow frieze, where a Satrap is represented receiving presents; and bear and boar hunting scenes occur.  The fragment marked (125) is the eastern pediment, sculptured in relief with various figures; and that marked (126) is half of the western pediment sculptured with figures of six foot-soldiers.  The groups numbered (132-135) are fine specimens of Lycian sculpture:  on the first a draped female figure is shown in rapid flight; and on the second, youths are shown bearing off women.  The group marked (138) is one of the samples of the roof-tiles with which the building was covered in.  Two crouching lions (139, 140), supposed to have occupied intercolumnar space in the building, are the last of the fragments.  These fragments, however, together with Sir Charles’s interesting model, and the landscape (also in the room), realise more vividly to the mind of the general spectator the ancient Xanthus, than all the other detached and solitary fragments.  Near the two lions just mentioned are the paws of another lion, and a fragment, found near the Harpy Tomb, of a crouching warrior and bull.  Having noticed these, the visitor may occupy himself for a few minutes with the fragments of Byzantine architecture (177-183).  These remains were discovered amidst the ruins of a Christian village; and, it is conjectured, were buried by an earthquake.  These objects being discussed, the visitor should repair to the glass case at the end of the room, and examine some small curiosities from the Xanthian Acropolis, which are placed therein.  These consist chiefly of a Parian-marble torso of a Venus; the left elbow of a female, and the left side of a female head, in Parian marble, found built into the walls of the Acropolis; leaden and iron cramps found in the oldest sculptures of the Acropolis; four small lamps; vases; a cup; fragments of glass vessels; fragment of a vase of the Byzantine period, stamped with a cross; bronze vessels; lead grating for a drain pipe; a fragment of a terra cotta amphora, inscribed, in the Doric dialect, with the name of Hippocrates; fragments of painted cement from early Christian buildings—­all found in the excavations made for the ruins of the building of which the model and fragments have lately