How to See the British Museum in Four Visits eBook

William Blanchard Jerrold
This eBook from the Gutenberg Project consists of approximately 237 pages of information about How to See the British Museum in Four Visits.

How to See the British Museum in Four Visits eBook

William Blanchard Jerrold
This eBook from the Gutenberg Project consists of approximately 237 pages of information about How to See the British Museum in Four Visits.
of the Egyptian Diana—­Pasht, of the time of Amenophis; but as he will have an opportunity of observing more finished representations of this popular divinity, he may at once pause before a second statue of this goddess, also of the time of the third Amenophis (37), where Pasht is represented in black granite, upon a throne, with the head of a lion, and in her hand the emblem of life.  Hereabouts, also, are two specimens of the strange cynocephalus, or dog-headed baboon (38-40), sacred to the Hercules and Mercury of the Egyptian Pantheon.  The figures marked 41-45 are two more specimens of Pasht, who appears to have been the most popular subject for the Egyptian sculptor’s chisel; these are erect figures, holding lotus sceptres, and are both from Karnak.  The figures marked 49, 50, 52, 53, 57, are all representations of the popular Pasht; in 52 she wears the disk of the sun.  And now the visitor may well pause before a fragment marked 58.  This is a piece of the beard of the Great Sphinx.  Peeping above the sands which surround the famous pyramids of Gizeh, is the upper part of a man-headed sphinx.  This sphinx is said to measure no less than 62 feet in height, and 143 feet in length; this Colossus has been plucked by the beard, and the result lies before the visitor.  Hereabouts, in passing, the visitor may glance at another object wrested from the hands of the French (59).  It is a fragment of a column in porphyry, supporting a colossal areonite hawk, sacred to the sun.  More statues of Pasht! (60, 62, 63, of the 22nd dynasty; 65, 68, 69).  A column found in a house at Cairo, the capital of which is formed in the shape of a lotus flower (64), deserves notice; also (70), the basalt statue of a god, conjectured to be Amen-ra, holding a small figure of a monarch of the 28th dynasty.  More statues of Pasht (71, 2, 3, 6, 7, 9; 80, 4, 5, 7, 8, 9); and then the visitor may pause before the colossal scarabaeus, emblematic of the world and creation (74); and a broken sphinx, of Roman work (82).  Not far off are deposited the legs of Truth (91), the goddess Ma of the Egyptians; some altars from Aboukir and Sais, that marked 135, from the Temple of Berenice, having steps leading to it; entrances to tombs (157), ornamented with figures; and more statues of Pasht, amongst them a colossal bust from a statue (521).

Having noticed these specimens, the visitor should pass into the lobby at the northern end of the saloon, to notice the two small obelisks placed here, brought from Cairo; they stood before a temple to Thoth.  The hieroglyphics upon them are carefully executed, but these specimens give the spectator no idea of the colossal obelisks of ancient Egypt, of which that of Alexandria, 63 feet high, is a fair specimen.  These obelisks were generally in pairs, and were placed on each side of the great entrance to Egyptian temples.  Having returned to the saloon, the visitor should, before finally passing from it, notice the famous tablet of Abydos (117), found by Mr. Banks, in 1818,

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How to See the British Museum in Four Visits from Project Gutenberg. Public domain.