The visitor will see a strong family likeness in the colossal heads that are in the saloon. Proceeding northward from the southern end of the saloon, the visitor may rapidly notice the colossal fragments of the statues of kings and high officers, which are all distinctly marked. First, let the visitor examine two colossal heads (4-6), wearing the kingly head-covering, and said to resemble the features of Amenophis III., which were excavated under the superintendence of Mr. Salt, at Gournah; and then the visitor may turn to a fragment marked 9, which is a colossal fist, found among the ruins of Memphis by the French, and which fell, together with other valuable relics, into the possession of the English on the capitulation of Alexandria in 1801. This fist may well excite the admiration and respect of the most determined pugilist of the present day. Hereabouts also are a remarkable monument (12) found in the ruins of Karnak under the superintendence of Mr. Salt, placed upon a white stone pedestal in an angle of the wall of the great temple, and showing on each of its sides representations of Thothmes III. of the 18th dynasty, holding the hands of deities, said by some to be the moat curious specimen of Egyptian bas-relief in the Museum; a fractured colossus (14) in black granite, from Thebes, supposed to be part of a statue of Amenophis III.; the colossal head (15) discovered at Karnak by Belzoni in 1818, supposed to represent the features of Thothmes III.; the head and upper part of a statue of Sesostris, known as the Young Memnon. Before this, the most celebrated of the Egyptian specimens in the saloon, the visitor should pause to learn something of it, and notice its peculiarities for himself. Its name, ‘Memnon,’ is that given by the Greeks to many of the colossi which they saw scattered about the country when they made their way into Egypt. Memnon was the name given by the ancient Greek writers to an Egyptian hero who had a great reputation for his conquests, and was said to have done his share of work in the famous Trojan war. This name having been given indiscriminately to various statues, conveys no proof of their identity, since it represents only a mythical hero, whose fame reached Greece many centuries