How to See the British Museum in Four Visits eBook

William Blanchard Jerrold
This eBook from the Gutenberg Project consists of approximately 237 pages of information about How to See the British Museum in Four Visits.

How to See the British Museum in Four Visits eBook

William Blanchard Jerrold
This eBook from the Gutenberg Project consists of approximately 237 pages of information about How to See the British Museum in Four Visits.
with Asiatic captives at the feet:  the second object in this case is the coffin of an incense-bearer of the temple of Khons, with the usual representations of the sepulchral deities.  Advancing in the regular order in which the cases are numbered, the visitor will next notice in case 70 the inner coffin of a supposed Egyptian king, with the bandages with inscriptions at the side.  Three mummies are placed in the next case (71) the first of which is crumbling rapidly, the feet being already gone:  and the bandages of the second present pictures of Anubis embalming the deceased, and Isis mourning over the ceremony.  The next four cases (72-75) are also filled with mummies and their appendages, of which the mummy and coffin of a sacred functionary with a gilded face, and a picture of the deceased adoring King Amenophis the First, in the 73rd case, and the mummy and coffin of a musician of the Roman era of Egypt in case 74 are the most remarkable.  The last case of mummies (76) contains three mummies.  The first is that of a priestess of Amoun, whose form is discernible through the bandages, the feet of which are visible, and the third is that of a woman named Cleopatra, of the family of Soter, Archon of Thebes, with a comb in the hair, and upon the bandages the usual sepulchral deities, including the black Anubis, and in the next case is her coffin.

The visitor having completed his survey of the human mummies should return to the series of cases marked from 52 to 58, in which he will find a curious assortment of

Animal mummies.

Animal life was venerated by the Egyptians.  Certain animals were sacred in certain parts of the country; but the ibis and the hawk were generally worshipped.  The sacred birds were attended to by the priests.  Seven cases in this room are entirely filled with the mummies of these sacred birds.  Here are mummies of dog-headed baboons, worshipped at Hermopolis, and sacred to Thoth; a head of the cynocephalus from Thebes; mummies of jackals, sacred to the sepulchral Anubis; the head of a dog in bandages, and one with the bandages unrolled.  Mummies of oats, the female being sacred to the goddess Pasht, or Diana, and the male to the sun; a wooden figure of a cat containing the mummy of one; and bronze cats from the cat mummy pits of Abouseir.  In the fifty-fourth and fifty-fifth cases are mummies of parts of bulls; gazelles; unrolled heads of rams; and the mummy of a lamb.  In the two following cases (56, 57) are a variety of mummies of the ibis, perhaps, the most sacred bird of the Egyptians, and the emblem of Thoth:  these include Sir J. G. Wilkinson’s present of the black ibis and two eggs; and conical pots containing mummies of the ibis.  The last case (58) contains some strange mummies, including those of crocodiles, emblematic of the Egyptian Sevek, the subduer; mummies of snakes sacred to Isis, in the shape of circular cakes; and in case 60, the visitor may notice more specimens of mummy snakes and fish.  The next two cases are filled with the specimens of some dried birds of ancient Egypt, some stamped with the names of Sesostris, Amenophis, and Thothmes; and some from the Pyramids of Illahoun, Howara, and Dashour.  The visitor should now direct his attention to the large collection of

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How to See the British Museum in Four Visits from Project Gutenberg. Public domain.