The money to found a British Museum was raised by a lottery in the middle of the last century.  Sir Hans Sloane having offered his books and museum of natural history to Parliament, for less than half its value (20,000L.), it was purchased, together with the famous Harleian and Cottonian MSS., and deposited in Montague House, Bloomsbury, which had been bought of the Earl of Halifax, for the sum of 10,250L.  Of the present British Museum this beginning forms a very insignificant part.  The nucleus was established however; and soon eminent men, who valued their literary and scientific collections as storehouses that should be accessible to all classes of students, began to turn their attention to the collections in Montague House.  Foremost among the donors George the Second should be mentioned, as having made over to the nation the royal library, together with the right of demanding a copy of every book entered at Stationers’ Hall.  Successively, the libraries of Sir Joseph Banks, Dr. Birch, Sir John Hawkins, Dr. Burney and Garrick, and the Royal, Arundel, Lansdowne, Bridgewater, and other MSS. were added to the great store.  Captain Cook returned home with additions to the museum of natural history; Sir William Hamilton’s collection of vases was purchased in 1772; the spoils of Abercrombie’s Egyptian campaign enriched the museum with some fine Egyptian antiquities; grants of money secured the Townley marbles, the Phigalian sculptures, and at last the Elgin marbles; and of late, the accessions to the vast collection, including Layard’s treasures, the Xanthian marbles, fossils, birds, curiosities, from the frozen seas, China, the solitudes of Central Africa, and other remote places, where scientific men have been of late prosecuting their studies have been received.  In 1823 it was allowed by Parliament that the collection had grown too large for the house in which it was crammed; and accordingly in this year it was resolved to destroy the old residence of the Earl of Halifax, and build a new structure on its site.  Sir Robert Smirke, the architect of the present structure, has certainly had good cause to complain of the niggardly supplies voted from time to time for the building, which has been twenty-eight years in progress.  The regulations for the admission of the public have fairly kept pace with the progress of those liberal ideas to which the collection is greatly indebted, and of which it is a monument.  It will be interesting for the visitor of to-day, to contrast the rules by which he is admitted, with those that fettered his ancestors of the eighteenth century.  In the year 1759, the trustees of this institution published their “Statutes and Rules relating to the Inspection and Use of the British Museum.”  This instructive document may now serve to illustrate the darkness from which, even now, we are struggling.  Those visitors who now consider it rather an affront to be required to give up their cane or umbrella at the entrance to our museums and galleries, will be