[Illustration: (High Street)]
An eighteenth century romance attaches to this property. A young doctor, skilful, extravagant, and presumably attractive, won the hand of a Miss Cookes, who inherited the place from her father. After the death of his wife this physician, Baylies by name, being deeply in debt, and having mortgaged his property, disappeared. The house and garden were taken possession of by one of the principal creditors, who must have justified his claim, for the house long remained in his family. The enterprising doctor was next heard of in Prussia, where he became court physician and adviser to the Emperor Frederick the Great.
Three old streets lead out of High Street. To the west, Magpie Lane ends in the river meadows; and to the east, Swan Lane and Oat Street reach the river at the Mill.
Vine Street is little more than a continuation of the Market Place towards Merstow Green; and its old name, Pig Market, shows that it was used in the same manner. Here, again, many of the old houses have been refronted, thus appearing of a much later date than they are in reality. The Georgian dislike of gabled irregularity is once more exemplified. But Vine Street is saved from becoming commonplace by the low line of buildings at the end, still known as the Almonry, and over which the Gatehouse, in spite of its dismantled and modernised state, still seems to keep guard.
Bridge Street is probably the most ancient of the streets. The houses on the south side have gardens reaching to the Abbey walls, a position which would add greatly to their security in early times, and the narrowness of the roadway also goes towards proving its antiquity. This must have been the most frequented thoroughfare, leading as it did in old times to the ford, and afterwards to the bridge and the Abbot’s mill beside it. Here were the oldest inns; and though all the house-fronts have been sadly modernised, either by the insertion of huge plateglass windows or in some less defensible manner, yet the eye still passes with pleasure from house to house, and the effect of the irregularity, heightened by the contrast of light and shade, is picturesque in the extreme.