Yet Marcella was here at last.  And as she looked round her large bare room, with its old dilapidated furniture, and then out again to woods and lawns, it seemed to her that all was now well, and that her childhood with its squalors and miseries was blotted out—­atoned for by this last kind sudden stroke of fate, which might have been delayed so deplorably!—­since no one could have reasonably expected that an apparently sound man of sixty would have succumbed in three days to the sort of common chill a hunter and sportsman must have resisted successfully a score of times before.

Her great desire now was to put the past—­the greater part of it at any rate—­behind her altogether.  Its shabby worries were surely done with, poor as she and her parents still were, relatively to their present position.  At least she was no longer the self-conscious schoolgirl, paid for at a lower rate than her companions, stinted in dress, pocket-money, and education, and fiercely resentful at every turn of some real or fancied slur; she was no longer even the half-Bohemian student of these past two years, enjoying herself in London so far as the iron necessity of keeping her boarding-house expenses down to the lowest possible figure would allow.  She was something altogether different.  She was Marcella Boyce, a “finished” and grown-up young woman of twenty-one, the only daughter and child of Mr. Boyce of Mellor Park, inheritress of one of the most ancient names in Midland England, and just entering on a life which to her own fancy and will, at any rate, promised the highest possible degree of interest and novelty.

Yet, in the very act of putting her past away from her, she only succeeded, so it seemed, in inviting it to repossess her.

For against her will, she fell straightway—­in this quiet of the autumn morning—­into a riot of memory, setting her past self against her present more consciously than she had done yet, recalling scene after scene and stage after stage with feelings of sarcasm, or amusement, or disgust, which showed themselves freely as they came and went, in the fine plastic face turned to the September woods.

She had been at school since she was nine years old—­there was the dominant fact in these motley uncomfortable years behind her, which, in her young ignorance of the irrevocableness of living, she wished so impatiently to forget.  As to the time before her school life, she had a dim memory of seemly and pleasant things, of a house in London, of a large and bright nursery, of a smiling mother who took constant notice of her, of games, little friends, and birthday parties.  What had led to the complete disappearance of this earliest “set,” to use a theatrical phrase, from the scenery of her childhood, Marcella did not yet adequately know, though she had some theories and many suspicions in the background of her mind.  But at any rate this first image of memory was succeeded by another precise as the first was vague—­the image of a tall white house, set against a white chalk cliff rising in terraces behind it and alongside it, where she had spent the years from nine to fourteen, and where, if she were set down blindfold, now, at twenty-one, she could have found her way to every room and door and cupboard and stair with a perfect and fascinated familiarity.